459. All Aboard!, 1938

Lionel Lindsay prints, ca. 1906-1950 / collected by William Dixson

88 separate plates, many with 2 to 5 different pulls, 105 prints in total.

403. Old Malaga, 1934
Original Dry point, 27.7 x 22.7 cm. 
Edition: 1/100

404. Facade of the Institute, Salamanca University, 1934
Original etching, 27.9 x 17.6 cm.
Edition: 1/100

405. The Priory Doorway, Taorminia [Sicily], 1934
Original Dry point, 26 x 18.4 cm.
Edition: 1/100

406. The Cathedral, Salamanca, 1934
Original line etching, 22.5 x 25.2 cm.
Edition: Unique proof on old Whatman paper, 1805

407. Ruined Castle, near Hyères, 1934
Original Dry point, 17.1 x 30.1 cm.
Edition: Trial proof C
Written below work: “(only 3 proofs pulled)”

408. A Neopolitan Courtyard, 1934
Dry point, 24 x 20.2 cm.
Edition: Trial B
Written below Dry point: “(only two proofs pulled)”, “Pattern HW”

408a. Porta Capuana, Naples
Dry point, 22.6 x 30.1 cm.
Edition: Trial proof
Written below work: "3 proofs one pulled, see if Su William Dixson has this"

409. An Old Prison, Nuremburg, 1934
Original Dry point, 20.7 x 30.2 cm.
Edition: 2nd state
Written below work: “(one of two proofs pulled) LL”

410. Mill & Towers, Dinkesbuhle, 1934
Line etching, 15 x 25.2 cm.
Edition: Trial (one of three proofs)

411. Antiqueria, with the Castle, 1934
Dry point, 22.6 x 30.1 cm.
Edition: Trial proof (Three or four proofs taken)

412. The Main Square, Zafra, 1934
Dry point, 22.7 x 30.1 cm.
Edition: 4th state, last proof

413. Caravanserai, Kerouan, Tunisia, 1935
Original Dry point, 16.3 x 27.6 cm.
Edition: [no number] / 100

414. The Potter’s Shop, Kerouan, 1935
Original etching, 17.6 x 25.1 cm.
Edition: [no number] / 100

415. Jerez de los Caballeros, Estramadura, 1935
Original Dry point, 30.3 x 32.8 cm.
Edition: [no number] / 100

416a. “Tucker”, 1935
Line etching, 12.5 x 9 cm.
Edition: Proof
Written below etching: “rag wiped”

416b. “Tucker Time”, 1935
Line etching, 12.5 x 9 cm.
Edition: Proof
Written below etching: “Aug 1935”

416c. “Tucker Time”, 1935
Line etching, 12.5 x 9 cm.
Edition: 1/[12]
Written below etching: “Aug 1935”

417a. Adam and Eve, 1935
Line etching, 14.8 x 10.1 cm.
Edition: Trial proof D

417b. “Woman”, 1935
Line etching, 14.8 x 10 cm.
Edition: Proof
[Same etching as “Adam and Eve”]

417c. “Woman”, 1935
Line etching, 14.8 x 10 cm.
Edition: 1/[12]
[Same etching as “Adam and Eve”]

418. The Prodigal Son, 1935
Line etching, 11.4 x 7.2 cm.
Edition: 1/[100]

419. The return of the Prodigal, 1935
Line, 15.8 x 21.5 cm.
Edition 1/100

420. The Free Selector’s Daughter, 1935
Line, 14.2 x 21.5 cm.
Edition: 1/100

423a. Sunup, 1936
Line, 14.8 x 10.1 cm.
Edition: Trial C

423b. Sunup, 1936
Line, 14.8 x 10.1 cm.
Edition: 1/50

424. Christmas, 1936
Line, 15.2 x 25.2 cm.
Edition: 1/100

425. [Bookplate] W.S. Robinson, 1936
Line, 12.7 x 9 cm.
Edition: Proof

426. Jamieson Street, Sydney, 1936
Line, 19.2 x 26.2 cm.
Edition: 1/100

427a. Hyde Park Barracks (etched in 1912, plate concluded 1936)
Line, 12.7 x 29.6 cm.
Edition: 1st state

427b. Hyde Park Barracks, 1936
Line, 12.8 x 30 cm.
Edition: 1/100

428. “Whaler’s Arms”, Days Of The Push, 1936
Line, 20.2 x 15 cm.
Edition: 1/75

429. [Pfaherts Hotel], 1936
Line, 10.4 x 12.7 cm.
Edition: 1/100
Title taken from Dixson’s listings
Written below etching: “Hand Made”

430. Old Houses (built by Langs Masons), Millers Pt., 1936
Line, 10.4 x 12.7 cm.
Edition: 1/75

431. Old Education Dept. from the Lands Office, 1936
Line, 13.3 x 22.6 cm.
Edition: 1/75

432. Demolition of Cumberland St., 1936
Line, 15.1 x 20.9 cm.
Edition: 1/75

433. Elizabeth Street, 1936
Line, 13.3 x 21.1 cm.
Edition: 1/75

434. Clovelly, 1936
Mezzotint, 16.5 x 20 cm.
Edition: [no. 35]
Written below work: “Plate retouched and scraped in October 1936”

435. Old Gloucester St., 1936
Mezzotint, 16.7 x 21.4 cm.
Edition: [no. 33]
Written below work: “To William Dixson with the Engraver’s kind regards”, “Plate retouched 1936”

436. The Rocks, 1936
Mezzotint, 17.3 x 21.3 cm.
Edition: [no. 34]
Written below work: “To William Dixson with the Engraver’s kind regards”, “Plate retouched 1936”

437. The Great Tower, Sydney University, 1936
Line, 26 x 20.9 cm.
Edition: 1/100
“From a sketch taken when Sir Phillip Game was governor”—Dixson’s listings

438. Carrera del Darro, Granada, 1936
Dry point, 25.2 x 30.3 cm.
Edition: 1/100

439. Convent of San Gaetano (Cordova), 1936
Dry point, 21.5 x 30.2 cm.
Edition: 1/75

440. A Hawker, Ronda, 1936
Line etching, 26.2 x 14.4 cm.
Edition: 1/100

441. Santiago, Antequera, 1936
Line etching, 27.7 x 17.6 cm.
Edition: 1/100

442. Old Parador, Malaga, 1936
Line etching, 25.2 x 15.7 cm.
Edition: 1/75

443. Sagnaria, Malaga (only parochial church unburnt), 1937
Dry point, 27.6 x 30.1 cm.
Edition: 1/100
“The Bishop’s palace showing on the right was burnt during the revolution”--Dixson’s listings

444. Santa Inez, Granada, 1937
Line etching, 25 x 15.6 cm.
Edition: 1/75

445a. His only pair, 1937
Line etching, 20.4 x 14.1 cm.
Edition: 1/75

445b. His only pair, 1937
Line etching, 20.4 x 14.1 cm.
Edition: 2/75

446. “Euchred”, 1937
Line etching, 11.4 x 17.5 cm.
Edition: 1/75

Note: No. 451 appears here in the album

447. Winter Light, 1937
Line etching, 25.2 x 32.8 cm.
Edition: 1/30

448. Sandstone and Banksias, 1937
Dry point, 25.2 x 30.2 cm.
Edition: 1/30

449. The Cattle Duffer, 1937
Dry point, 20.3 x 25.1 cm.
Edition: 1/75

450a. White Gums, 1937
Dry point, 17.8 x 25.2 cm.
Edition: 1/30

450b. [Self portrait], 1937
[Line etching], 13.9 x 6.2
Edition: [unknown]
Title taken from Dixson’s listings

450c. Self portrait, 1937
[Etching], 14 x 6.8 cm.
Edition: [unknown]
Written below etching: “to William Dixson with the etcher’s kind regards”

451. Chinaman’s Gardens, Wahroonga, 1937
Dry point, 17.5 x 25.1 cm.
Edition: 1/30
[Out of sequence in the album, after no. 446]

452. Bush Boy, 1937
Dry point, 25.2 x 20.3 cm.
Edition: 1/30

453a. Great White Gum, 1937
Dry point, 25.3 x 32.5 cm.
Edition: 1/30

453b. The Reader, [undated]
[Line etching], 12.7 x 8.8 cm.
Edition: [unknown]
Written below etching: “My second etching bitten on a piece of sheet copper”

453c. The dwelling of Henry James the novelist at Ryde, England, [ca. 1902?]
[Etching], 12.7 x 8.9 cm.
Edition: [unknown]
Verso title
Written on verso: “Made in London 1902, to initiate an American into the mystery of the craft. He subsequently printed and sent me the proof, on card.! – Lionel Lindsay”

453d. Highway man, ca. 1895
[Line etching], 12.4 x 8.9 cm.
Edition: [unknown]
Verso title
Written below etching: “Printed in 1895 or 1896 on a knife polishing machine”

453e. [Lionel Lindsay Exhibition Invitation], 1922
[Line etching], 9.7 x 5 cm.
Edition: [unknown]
Written on etching: "Mr Lionel Lindsay requests the honour of your presence at a private view of the Exhibition of his recent etched work and Woodcuts to be held at the Decoration Galleries 289 Collins St. on Monday November 13th, 1922”.

453f. Sketch of my wife, 1904
Dry point, 9.7 x 5.6 cm.
Edition: no. 1, not issued

453g. [King Billy, after the watercolour by B.E. Minns], [undated] 
22.8 x 16 cm.
Edition: [unknown]
See also 126

453h. [“Duck Egg”, Whatman (1806)], [undated]
[Line etching], 17.5 x 13.7 cm.
Edition: [unknown]
Written below etching: “To my generous old friend William Dixson, this print, a “Duck Egg”, Whatman (1806). Whistler’s favourite paper”.

454. The Morning Star, Toledo, 1938
Aquatint, 13 x 21.1 cm.
Edition: 1/100
In black ink, See also 462 [in blue ink]

455. San Georgio from Venice, 1938
Line, 15.1 x 27.9 cm.
Edition: 1/100

456. Venice from San Georgio, 1938
Line, 15.1 x 27.8 cm.
Edition: 1/100

457. [Travellers], 1938
Line, 11.4 x 17.6 cm.
Edition: 1/50
Title from Dixson’s listings

458. The Burden and Heat of the Day, 1938
Line, 15 x 25.2 cm.
Edition: 1/75

459. All Aboard!, 1938
Line, 17.6 x 25.1 cm.
Edition: 1/75

460. Prospectors, 1938
Dry point, 25.3 x 32.8 cm.
Edition: 1/35

461. A Street, Toledo, 1938
Dry point, 22.7 x 13.5 cm.
Edition: 1/75

462. The Morning Star, Toledo, 1938
Dry point, 13 x 21.1 cm.
Edition: 1/75
In blue ink, See also 454 in black ink

463. The Old Prison, Nuremberg, 1938
Dry point, 20.8 x 30.3 cm.
Edition: 1/60

Note: No. 408a appears here in the album

464. The old Commissariat Office, Lower George St., 1940
Dry point, 17.4 x 36.1 cm.
Edition: 2nd state. No. 1/50

465. The Three Cocks, 1940
Line engraving on copper, 11.7 x 17.3 cm.
Edition: 1/50

466. El Potro (the Colt) Cordova, 1942
Line, 11.7 x 8.9 cm.
Edition: no. 1

467. Las Duenas, Salamanca, 1942
Line, 11.9 x 9.3 cm.
Edition: no. 1

468. San Martin, Segovia, 1942
Line, 12.5 x 8.3 cm.
Edition: no. 1

469. The Boundary Rider’s Hut, 1944
Dry point, 22.7 x 18.6 cm.
Edition: Artist proof

470. Lengthening Shadows, 1944
Dry point, 17.1 x 22.6 cm.
Edition: 1/40

471. The Constable’s Chapel, Burgos, 1944
Line, 25.3 x 17.7 cm.
Edition: 100

472. Old Saumur, 1944
Line, 27.5 x 17.5 cm.
Edition: 75



473. [Bookplate] R.H. Croll, 1944
Line, 9.1 x 5.3 cm.
Edition: [unknown]

474. [Bookplate] Julian Ormond Smith, 1944
Line, 11 x 7.5 cm.
Edition: Proof

475a. Fair time, Cordoza, 1945
Line, 25.2 x 17.5 cm.
Edition: No. 1

475b. [Bookplate] Beatrice Waterhouse, [undated]
[Line], 10.6 x 8.1 cm.
Edition: Proof

476. Old Zafra, 1945
Line, 25.1 x 17.7 cm.
Edition: No. 1

477. A street in the Albacin, Granada, 1945
Line, 25.2 x 12.8 cm.
Edition: No. 1

478. Santa Cruz, Toledo, 1945
Line, 25.4 x 17.7 cm.
Edition: No. 1

479. Street of the Kings, Guadalupe, 1945
Line, 25.1 x 17.7 cm.
Edition: No. 1

480. Plaza Juan Bravo, Segovia, 1945
Line, 22.6 x 14.9 cm.
Edition: No. 1

481. Casa de los Tiros, Granada, 1928
Etching, 27.6 x 17.6 cm.
Edition: 100
Written below etching: “S34755”

482. The Bassra Guard, 1929
Dry point, 19.2 x 30.2 cm.
Edition: 100

483. The Tunis Gate, Kairuan, 1929
Dry point, 24.7 x 29 cm.
Edition: 100

484. Marble Balcony, Chiarraba, Venice, [between 1928 and 1930]
Etching, 26.4 x 16.4 cm.
Edition: 75
Written below etching: “S. H1081”

485. The Barber of Boussada, 1929
Etching, 17.7 x 27.6 cm.
Edition: 100

486. Head of a Camel, 1929
Etching, 9.8 x 7.5 cm.
Edition: Demonstration plate
Written below etching: “To my dear friend Sir William Dixson”
[Out of sequence in the album, after no. 479]

487. A cat asleep, [between 1928 and 1930]
Dry point, 12.6 x 17.5 cm.
Edition: 3rd state, 2 proofs thus
Written below etching: “The tops of vertical lines at extreme right in background burnished lighter”
[Out of sequence in the album, after no. 478]

488. In the Corral of the Bull ring, Burgos – the day before the fight, 1929
Etching, 17.7 x 27.7 cm.
Edition: 2nd state, only two proofs thus 
Written below etching: “(2nd man on balcony now has dark hair)”

489. Tower of a Ruined Monastery, Zafra, 1928
Dry point, 20.2 x 13.1 cm.
Edition: 1st state, only proof thus
Written below etching: “Only 2 proofs of this plate in all, up to March 1945”

490. Belen Monastery, [between 1928 and 1930]
Etching, 15.1 x 25 cm.
Edition: 3rd state, 1 of 2 proofs thus
Written below etching: “With … lines on house at left”, “202”

491. Donkey Market, Estramadura, 1934
Etching, 17.7 x 27.7 cm.
Edition: 2nd state
Dated as 1929 in Dixson’s listings

493. Palace of Admiral Doria, Genoa, [between 1928 and 1930]
Dry point, 17.8 x 27.6 cm.
Edition: 1st state, 1 of 2 proofs only

459. All Aboard!, 1938

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