265e. Araluen Valley, 1924

Lionel Lindsay prints, ca. 1906-1950 / collected by William Dixson

81 separate plates, several with 2, 3 or 4 different pulls, 108 prints in total.

257c. A Pipe of Baccy, 1924
Line etching, 17.8 x 11.9 cm.
Edition: 1/75 

258a. A Pannikin of Flour, 1924
Line etching, 22.3 x 16 cm. 
Edition: 1st state

258b. A Pannikin of Flour, 1924
Line etching, 12.9 x 13.3 cm.
Edition: 1/100

259. The Smithy Window, Ambleside, 1924
Line etching, 17.5 x 20 cm.
Edition: 1/75

260. The Departure, 1924
Line etching, 17.5 x 13.8 cm.
Edition: 1/75

261. The Two Trees, Ambleside, 1924
Spirit aquatint, 14 x 17.6 cm.
Edition: 1/75 

262. The Summer Moon (Wahroonga), 1924
Spirit aquatint, 16.1 x 20.9 cm. 
Edition: 1/75

263. The Never Never, 1924 
Spirit aquatint, 16.4 x 24.3 cm. 
Edition: 1/75
Moonlight scene and native companions

264. The Boundary Rider, 1924
Dry point, 20.3 x 28.8 cm.
Edition: 1/30

265a. Araluen Valley, 1924
Spirit aquatint, 17.8 x 21.6 cm.
Edition: Working state (2). Proof of the aquatint biting

265b. Araluen Valley, 1924
Spirit aquatint, 16.1 x 21.1 cm.
Edition: working state (3)

265c. Araluen Valley, 1924
Spirit aquatint, 16.1 x 21.1 cm.
Edition: working state no. 4

265d. Araluen Valley, 1924
Spirit aquatint, 16.3 x 21.2 cm.
Edition: proof before letters 

265e. Araluen Valley, 1924
Spirit aquatint, 16.2 x 21.2 cm.
Edition: No.1. 
Etched by L. Lindsay from the photograph by Wm. Dixson, 1924, N.S.W.

266. The Ride, 1924
Aquatint, 14.1 x 15.5 cm. 
Edition: 1/60

267. Barn and Stable, Ambleside, 1924
Dry point, 11.2 x 17.9 cm. 
Edition: 1/30

268. The Delapidated Barn, 1924
Aquatint, 20.3 x 28.8 cm. 
Edition: 1/50

269. The Water carrier, 1924
Aquatint, 13.6 x 11.6 cm.
Edition: 1/50  

269A. Evening Camp, 1924
Aquatint, 11.4 x 25.7 cm. 
Edition: 1/75 

269B. Pheasant: a Bronze By Barye, 1924
Line, 9.5 x 12.9 cm. 
Edition: 1/50

269Ca. The Compliment, 1924
Line, 20.0 x 14.8 cm. 
Edition: 1st state

269Cb. The Compliment, 1924
Line, 20.0 x 14.9 cm. 
Edition: 1/75

269D. Hawkesbury River. Taken from Windsor Bridge, 1924
Dry point, 13.9 x 18.6 cm.
Edition: 1/30

269E. Pastoral, 1924
Dry point, 18.5 x 13.4 cm. 
Edition: 6/30

269F. Ronda, 1924
Aquatint, 19.0 x 12.5 cm.
Edition: 1/50 

270a. The Bush Safe, 1925
Line etching, 12.3 x 18.6 cm.
Edition: 1st state 

270b. [The Bush Safe], 1925
Line etching, 12.3 x 18.6 cm.
Edition: Private plate, ‘WD’

270c. [The Bush Safe], 1925
Line etching, 12.3 x 18.6 cm.
Edition: [unknown]
1st and 2nd state of 1st plate. Slight alteration only

270d. The Bush Safe, 1925
Line etching, 12.3 x 18.7 cm. 
Edition: 1/25

271. The Bull Calls on the Perisher Range. (Kosciusko), 1925
Aquatint, 14.2 x 16.2 cm.
Edition: 1/75

272. Old House, Gloucester St., 1925
Dry point, 15.9 x 18.0 cm.
Edition: 1/40

273. The Trough (Ambleside), 1925
Dry point, 19.0 x 25.4 cm.
Edition: 1/35 

274a. The Drafting Gate, 1925
Dry point, 19.5 x 25.1 cm.
Edition:  Proof C

274b. The Drafting Gate (Bendinine), 1925
Dry point, 19.0 x 25.1 cm. 
Edition: 1/35

275. Scot’s Church, 1925
Line etching, 12.1 x 13.8 cm. 
Edition: 1/75
Sydney

276. Milson’s Point, 1925
Line etching, 15.0 x 20.0 cm.
Edition: 1/75

277. Little Balcony, Ferry Lane, 1925
Dry point, 14.8 x 10.9 cm.
Edition: 1/50

278. The Kiln (Camden), 1925
Dry point, 11.3 x 12.8 cm.
Edition: 1/50

279. The Sailor’s Return (from rear), 1925
Line etching, 13.8 x 14.8 cm.
Edition: 1/75

280. Cobb and Co., 1925
Dry point, 21.9 x 30.3 cm.
Edition: 1/40

281. Old Barn, Ambleside, 1925
Dry point, 22.4 x 30.0 cm.
Edition: 1/35 

282. The Old Orchard, 1925
Dry point, 19.2 x 24.5 cm.
Edition: 1/35

283a. Bush Smithy, Carcoar, 1925
Dry point, 24.5 x 19.3 cm.
Edition: 1st state 

283b. Bush Smithy, Carcoar, 1925
Dry point, 19.4 x 19.3 cm. 
Edition: 1/45

284. Ben Hall’s, Binalong, 1925
Dry point, 12.0 x 24.6 cm.
Edition: 1/40 

285. Old Mill, Carcoar, 1925
Dry point, 12.5 x 18.8 cm.
Edition: 1/30 

286. Old Mac (Macgregor), 1925
Dry point, 16.8 x 15.6 cm.
Edition: 1/35 

287. Old Well (off Penrith Road), 1925
Dry point, 14.5 x 14.6 cm.
Edition: 1/30

288. Evening Ride, 1925
Dry point, 22.4 x 33.9 cm.
Edition: 1/35

289. Little Wash House (Ambleside), 1925
Dry point, 12.9 x 15.3 cm.
Edition: 1/30 

290. Land of the Crow, 1925
Dry point, 24.7 x 30.5 cm.
Edition: 1/35(?)

291. The Shearer’s Cook (Bendinine), 1925
Dry point, 12.3 x 7.8 cm.
Edition: 1/30 

292. Snowy River, 1925
Dry point, 11.9 x 25.0 cm.
Edition: 1/30

293. The Mitchell Library, 1925
Dry point, 21.3 x 21.6 cm.
Edition: 1/35

294. Bowden’s Corner (old Castlereagh St), 1925
Line etching, 15.0 x 22.6 cm.
Edition: 1/75
 
295a. Old Miller’s Point, 1925
Line etching, 8.8 x 11.0 cm.
Edition: Unique proof
Dawes Pt.

295b. Old Miller’s Point, 1925
Line etching, 9.8 x 13.9 cm.
Edition: 1st state 

295c. Old. Miller’s Point, 1925
Line etching, 9.7 x 11.6 cm.
Edition: 1/75

296. Kent St., 1925
Line etching, 9.3 x 16.3 cm.
Edition: 1/75

297. Queen’s Court (Dally St), 1925
Line etching, 10.7 x 14.7 cm.
Edition: 1/25
Building demolished

298a. St Mary’s, 1925
Line etching, 13.5 x 16.3 cm. 
Edition: 1st state
Roman Catholic cathedral  

298b. St Mary’s, 1925 
Line etching, 13.4 x 16.3 cm.
Edition: 1/75 

299a. Old Essex Steps, 1925
Line etching, 17.6 x 13.7 cm.
Edition: 1st state

299b. Old Essex Steps, 1925 
Line etching, 16.5 x 12.3 cm.
Edition: 1/50

300. The Whaler, 1925
Line etching, 15.1 x 11.1 cm. 
Edition: 1/50

301. Catch, 1925
Line etching, 10.2 x 10.0 cm.
Edition: 1/75 

302a. Old Men’s Home, Liverpool, 1925
Line etching, 10.9 x 15.4 cm.
Edition: 1st state

302b. Old Men’s Home, Liverpool, 1925
Line etching, 10.2 x 11.8 cm.
Edition: 1/75

303. Sunday Camp, 1925
Line etching, 11.5 x 12.4 cm.
Edition: 1/25(?) 

304a. The Hatter, 1925
Aquatint, 13.5 x 13.2 cm.
Edition: 1st state
This was the first design for “Catch” (no. 301), but was altered at the suggestion of William Dixson, 12.12.1925 

304b. The Hatter, 1925


Aquatint, 12.8 x 11.9 cm.
Edition: 1/50

305. Coaching Days. Near Binalong, 1925
Aquatint, 15.2 x 24.2 cm.
Edition: 1/75 

306. Talbingo, 1925
Aquatint, 18.0 x 24.6 cm.
Edition: 1/75

307. The Traveller, 1925
Aquatint, 13.6 x 20.6 cm.
Edition: 1/40

308. Milson’s Point, line etching for plate destroyed,1925
Line etching, 20.1 x 21.9 cm. 
Edition: Unique proof
Plate not finished

309. The Sailor’s Boarding House. Taken from near the corner of Ferry Lane which was on right hand, 1925
Line etching, 11.9 x 15.1 cm. 
Edition: 1/75

310. The Stone Crusher, at Alphington, Victoria, 1925
Line etching, 12.0 x 12.2 cm.
Edition: 1/50

311a. [The Frugal Meal], 1925
Aquatint, 14.0 x 10.4 cm.
Edition: 1st state

311b. [The Frugal Meal], 1925
Aquatint, 13.9 x 10.4 cm.
Edition: 2nd state

311c. The Frugal Meal, after a picture, 1925
Aquatint, 11.9 x 10.3 cm.
Edition: Finished (cut) plate. 1st state - 4.1.1925 

311d. [The Frugal Meal], 1925
Aquatint, 11.8 x 10.4 cm. 
Edition: 1/25
Private plate MD.
From a photo of a picture, artist unknown

312. Evening News office, 1926
Line etching, 19.4 x 14.4 cm.
Edition: Proof before letters.
Market St.

313. A Street in Guadalupe, 1927
Dry point, 22.7 x 29.1 cm. 
Edition: 75/1

314. The Monastery, Guadalupe, 1927
Dry point, 26.9 x 20.9 cm.  
Edition: 1/75

315a. A Smithy, Avila (door opened later), 1927
Dry point, 20.1 x 26.3 cm.
Edition: 1st state

315b. A Smithy, Avila, 1927
Dry point, 20.3 x 26.3 cm.
Edition: 1/75

316. The Wash, Taormina, 1927
Dry point, 25.1 x 17.2 cm.
Edition: 75/1
Sicily

317a. The Matadero, Segovia, 1927
Dry point, 20.9 x 26.2 cm.
Edition: Plate afterwards cut. 1st state

317b. The Matadero, Segovia, 1927
Dry point, 18.0 x 26.3 cm.
Edition: 1/60

318. Outside the Walls, Avila, 1927
Dry point, 22.7 x 31.6 cm.
Edition: 1/75

319. The Shadow of the Vine, Taormina, 1927
Dry point, 25.0 x 17.8 cm.
Edition: 75/1

320. Moorish Markets, Granada, 1927
Dry point, 21.3 x 26.3 cm.
Edition: 1/75

321. A Doorway, Burgos Cathedral, 1927
Etching, 26.7 x 16.9 cm.
Edition: 1/75 

322. Posada de la Sangre, Toledo, 1927
Etching, 19.9 x 26.2 cm.
Edition: 1/100

323. The Carpenter’s Shop, Toledo, 1927
Etching, 22.5 x 21.3 cm.
Edition: 1/100

324. Gerona, 1927
Dry point, 21.5 x 30.0 cm.
Edition: 1/60

325a. Las Rejas, Toledo, 1927
Etching, 26.0 x 20.1 cm.
Edition: First state, before addition of figures through doorway

325b. Las Rejas, Toledo, 1927
Etching, 26.1 x 20 cm. 
Edition: 1/100

326a. Burgos, 1927
Etching, 17.5 x 25.1 cm. 
Edition: 1st state

326b. Burgos, 1927
Etching, 17.4 x 24.9 cm.
Edition: 2nd state, cloud afterwards removed

326c. Burgos, 1927
Etching, 17.6 x 25.1 cm.
Edition: 1/100

327. The Zocodovar Gate, Toledo, 1927
Dry point, 29.7 x 20 cm.
Edition: 1/75

328. A Calvary, Segovia, 1927
Dry point, 13.8 x 28.6 cm.
Edition: 1/60

329. Sospel, 1927
Dry point, 21.5 x 30.0 cm.
Edition: 1/75

330a. St Andres, Toledo, 1927
Etching, 21.3 x.22.7 cm.
Edition: 1st state

330b. St. Andres, Toledo, 1927
Etching, 21.4 x 22.8 cm.
Edition: 2nd state, wagon added before addition of foliage above

330c. St. Andres, Toledo, 1927
Etching, 21.2 x 22.5 cm.
Edition: 1/100

331. The Inn of the Holy Brotherhood, Toledo, 1927
Dry point, 25.1 x 13 cm.
Edition: 1/60

[This album also contains extracts from the Bulletin and Melbourne Punch, not connected in any way with Lionel Lindsay]

265e. Araluen Valley, 1924

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