244. The Selector, 1923

Lionel Lindsay prints, ca. 1906-1950 / collected by William Dixson

82 separate plates, many with 2 to 3 different pulls, 120 prints in total.
[Note print number 193 is individually mounted in Volume 14]

176. The Little Farm House, Windsor, 1920
Line etching, 10.9 x 17.5 cm. 
Edition: 1/50

177a. [The Morning Gossip], 1920
Line etching, 14.3 x 8.5 cm.
Edition: Private plate (WD)
Working proof, before the cutting of the plate. 
Title from Dixson’s listings

177b. [The Morning Gossip], 1920
Line etching, 12.7 x 8.5 cm. 
Edition: 1/50
Title from Dixson’s listings

178. Portico Union Bank, King William St., Adelaide [verso title], 1920
Line etching on Japanese vellum, 17.1 x 11.7 cm.
Edition: 1/50
Items 178-183: Part of South Australian Series

179. Old Farm House, Amblesiile, S.A. [verso title], 1920
Line etching on Japanese vellum, 11.8 x 12.2 cm.
Edition: 1/50
Items 178-183: Part of South Australian Series

180. The Town Hall, Adelaide [verso title], 1920
Line etching on Japanese vellum, 17.1. x 11.8 cm. 
Edition: 1/50
Items 178-183: Part of South Australian Series

181. The Swing Bridge, Balkanran, South Australia [verso title], 1920
Line etching on Japanese vellum, 8 x 15.2 cm.
Edition: 1/50
Items 178-183: Part of South Australian Series

182. The Water Mill, Bridgewater, South Australia [verso title], 1920
Line etching on Japanese vellum, 11.1 x 15.2 cm.
Edition: 1/50
Items 178-183: Part of South Australian Series

183. Old Stone Bridge, Blackwood, S.A [verso title], 1920
Line etching on Japanese vellum, 10.5 x 17 cm.
Edition: 1/50
Items 178-183: Part of South Australian Series

184. The Currency Lass: Stables of the Old Inn, Parramatta, 1920
Etching, 17.6 x 14 cm.
Edition: 1/50

185. The Great Dane, 1920
Etching, 11.9 x 6.8 cm.
Edition: 1/25

186a. [Hulks Berry’s Bay], 1920
Etching, 18.6 x 24.9 cm.
Working proof, plate afterwards cut
Title taken from 1st ed.

186b. Hulks Berry’s Bay, 1920 
Etching, 17.2 x 25.1 cm.
Edition: 1/50

187. The Picador’s Girl, 1920
Etching, 13.3 x 10.8 cm.
Edition: 1/50

188a. [Argyle Cut], 1920
Etching, 9.1 x 15.4 cm.
Edition: 1st state, before sky

188b. Argyle Cut, 1920
Etching, 9.1 x 15.3 cm.
Edition: 2nd state

188c. Argyle Cut, 1920
Etching, 8.8 x 14.9 cm.
Edition: 1/50

189. The Guitar Player, 1920
Etching, 17.6 x 10.8 cm.
Edition: 1/50

190a. [Old Carriage Way, Cumberland St.], 1920
Etching, 22.6 x 15 cm.
Edition: Unique first state

190b. Old Carriage Way, Cumberland St., 1920
Etching, 22.6 x 15 cm.
Edition: 1/50

191. Cordova, 1920
Aquatint, 10.5 x 19.2 cm.
Edition: 1/50

192. In Heysen’s Country, 1921
Aquatint, 12.3 x 18.8 cm.
Edition: 1/35

193. The Sacred Grove, 1921
Aquatint, 18.9 x 24.3 cm.
Edition: 1/40
[Individually mounted in Vol. 14]

194. The Terrace By The Sea, 1921
Aquatint, 19 x 16.2 cm.
Edition: 1/50

195. Bilgola, 1921
Drypoint, 22.6 x 31.1 cm.
Edition: 1/30

196. The Pumpkin Patch, 1921
Drypoint, 21.7 x 25 cm.
Edition: 1/30

197a. Tinsmith’s shop, 1921
Etching, 11.1 x 13.2 cm.
Edition: 1st state

197b. The Tinsmith’s Shop, 1921
Etching, 11.1 x 13.2 cm
Edition: 1st state
Written below etching: “In King St. Sydney”

197c. [The Tinsmith’s Shop], 1921
Etching, 11.1 x 13.2 cm.
Edition: [unknown]
Written below etching: “Figure placed in pen + ink afterwards shifted near passage way”

197d. The Tinsmith’s shop, 1921
Etching, 11.1 x 13.2 cm.
Edition: 1/50

198a. [The Village Square], 1921
Etching, 8.2 x 12.5 cm.
Edition: 1st state
Written below etching: “Figure removed afterwards”

198b. The Village Square, 1921
Etching, 7.5 x 11.2 cm.
Edition: 1/50

199. The travelling shearer, 1921
Etching, 11.3 x 10.8 cm.
Edition: 1/50

200a. The Sundowner, 1921
Aquatint, 12.5 x 24.2 cm.
Edition: 2nd state

200b. The Sundowner, 1921
Aquatint, 12.5 x 24.2 cm.
Edition: 1/50
201. Hauling timber, 1921
Etching, 15.1 x 22.5 cm.
Edition: 1/50

202. Muleteers, 1921
Etching, 9.7 x 13.2 cm.
Edition: 1/50

203a. [The Little Balcony], 1921
Etching, 10.5 x 6.1 cm.
Edition: Trial proof

203b. The Little Balcony, 1921
Etching, 10.4 x 6.1 cm.
Edition: no. 1

204a. Don Quixote, 1922
Line etching, 17.5 x 13.8 cm.
Edition: 1st state

204b. Don Quixote, 1922
Line etching, 17.5 x 13.8 cm.
Edition: 1/50

205. Law Courts, 1922
Line etching, 17.5 x 13.7 cm.
Edition: 1/50

206. Ben Halls, Benalong, 1922
Spirit ground aquatint, 13.2 x 14.1 cm.
Edition: 1/50

207. Medical School, 1922
Line etching on vellum, 21.1 x 17.7 cm.
Edition: 1/50

208a. [Hunter Street], 1922
Line etching, 22.4 x 15 cm.
Edition: Working proof A

208b. Hunter Street, 1922
Line etching, 22.4 x 15 cm.
Edition: 1/50

209. Rendezvous, 1922
Spirit ground aquatint, 22.2 x 13.5 cm.
Edition: 1/50

210. The Old Bark Hut, 1922
Line etching, 14.4 x 21.4 cm.
Edition: 1/30

211. The Shanty on the Rise, 1922
Line etching, 18.3 x 12.11 cm.
Edition: 1/50

212. Bullfight In A Village, 1922
Line etching, 24.3 x 21.2 cm.
Edition: 1/50

213. The Great Red Gum, 1922
Spirit ground aquatint, 27.1 x 21.9
Edition: 1/50




214. [moved to 226.]

215. Gossip, Essex St. 1922.
Line etching, 14.9 x 19.9 cm.
Edition: 1/50

216. Harmony, 1922
Line etching, 15 x 10.5 cm.
Edition: 1/50

217. Red Gums, 1922
Mezzo, 13.7 x 10.4 cm.
Edition: 1/45

218. The Last Duel of Don Juan, 1922
Line etching, 22.6 x 15 cm.
Edition: 1/50

219. Camellias, 1922
Aquatint, 16.2 x 12.1 cm.
Edition: 1/50

220. Cottage Idyll, 1922
Line etching, 12.4 x 8.8 cm.
Edition: 1/50

221. Travelling Sheep, 1922
Aquatint, 13.9 x 19.6 cm.
Edition: 1/50

222. A Nook Of Berry’s Bay
Mezzo, 15 x 15.5 cm.
Edition: 1/45

223. The Arab Palace
Aquatint, 23.9 x 17.2 cm.
Edition: 1/50

224. Mates
Drypoint, 21x 27.1 cm.
Edition: 1/30

225. not in album – “Out”

226a. [Christmas 1922], 1922
Line and Aquatint, 11.8 x 9.2 cm.
Edition: [Proof before letter]

226b. [Christmas 1922], 1922
Line and Aquatint, 11.8 x 9.2 cm.
Edition: Trial proof only, 31/07/22
Edition taken from verso

226c. [Christmas 1922], 1922
Line and Aquatint, 11.8 x 9.2 cm.
Edition: Trial proof only, 31/08/22
Edition taken from verso

226d. [Christmas 1922], 1922
Line and Aquatint, 11.8 x 9.2 cm.
Edition: Pattern

226e. [Christmas 1922], 1922
Line and Aquatint, 11.8 x 9.2 cm.
Edition: Trial proof
Verso: “Line and aquatint”

226[f]. [Christmas 1922], 1922
Line and Aquatint, 11.8 x 9.2 cm.
Edition: no. 1

226. Christmas 1922

227. [Bookplate for Dr. F.M. Blackmore], 1922
Line, 11.4 x 7.7 cm.
Edition: [unknown]
Title from Dixson’s listings

227a. The Great Pear Tree, Windsor, 1922
Etching, 14 x 16.7 cm.
Edition: 1/50

227b. Old Houses, Cumberland St., 1922
Etching, 11.9 x 6.4 cm.
Edition: 1/50

227c. Swing Bridge & Basket Willows, 1922
Dry point, 17.5 x 25 cm.
Edition: 1/30

227d. The Beggar’s Toilet, 1922
Line etching after watercolour, 20.3 x 15.6 cm.
Edition: 1/50

227e. [Bertram Stevens], 1922
Etching after photo, 18.3 x 13.1 cm.
Edition: Proof, not pub.
Verso title

227f. [Bertram Stevens], 1922
Dry point after photo, 17.5 x 12.2 cm.
Edition: Proof, not pub.
Verso title

227g(a). [Bertram Stevens], 1922
Dry point from photograph, 18.2 x 13.4 cm.
Edition: 1st state, not pub.
Verso title

227g(b). Bertram Stevens], 1922
Dry point after photo, 22.6 x 14.5 cm.
Edition: Unique proof, not pub.

228a. [Christmas 1923, Forbes N.S.W.], 1923
Line, 13.3 x 18.9 cm.
Edition: 1st state A

228b. [Christmas 1923, Forbes N.S.W.], 1923
Line, 11.5 x 17.5 cm.
Edition: 1st state B

228c. Christmas 1923, Forbes N.S.W., 1923
Line, 11.5 x 17.3 cm.
Edition: no. 1

229a. [On the Back Street, Forbes N.S.W.], 1923
Line, 9.4 x 12.7 cm.
Edition: [unknown]
Title from Dixson’s listings
“From a photo by H.D. (Hugh Dixson?), Private plate W.D. (William Dixson)”-- Dixson’s listings

229b. [On the Back Street, Forbes N.S.W.], 1923
Line, 9.4 x 12.7 cm.
Edition: [unknown]
Title from Dixson’s listings

229c. [On the Back Street, Forbes N.S.W.], 1923
Line, 9.4 x 12.7 cm.
Edition: no. 1
Title from Dixson’s listings

230.The Mosque, Cordova, 1923
Aquatint, 12.3 x 13.8 cm.
Edition: 1/50

231. The Boundary Rider’s Home, 1923
Dry point on Japanese vellum, 22.5 x 18.7 cm.
Edition: 1/30

232. The Drover, 1923
Dry point, 18.3 x 22.6 cm.
Edition: 1/30

233. Refreshment, 1923
Etching, 13.1 x 10.4 cm.
Edition: 1/50

234. The old Fossicker, 1923, [Creswick, Victoria], 1923
Drypoint, 19.9 x 26.9 cm.
Edition: 1/30

235a. [Breakfast], 1923
Aquatint, 15.4 x 12.5 cm.
Edition: 1st state

235b. Breakfast, 1923
Aquatint, 15.2 x 12.5 cm.
Edition: Washed proof

235c. Breakfast, 1923
Aquatint, 15.3 x 12.5 cm.
Edition: 1/50

236. Ebenezer Vickarys, 1923
Etching, 19.4 x 20.4 cm.
Edition: 1/50
“Off Pott St.”—Dixson’s listings.

237. The House On The Wall, Cordova, 1923
Aquatint, 18.6 x 15.9 cm.
Edition: 1/50

238. The Lolly Shop, 1923
Etching, 10.9 x 12.1 cm.
Edition: 1/50

239. At Port Macquarie, 1923
Etching, 12.8 x 18.9 cm.
Edition: 1/50

240. The Crossing, 1923
Line etching, 15 x 22.5 cm.
Edition: 1/75
Written below etching: “From the watercolour in the possession of Sir Thomas Galway”

241. The Log, 1923
Line etching, 15 x 20.1 cm.
Edition: 1/50

242. The Burwood Hotel, Kent St., 1923
Line etching, 9.3 x 11.7 cm.
Edition: 1/75

243. The Doric Porch, 1923
Line etching, 13.1 x 13.2 cm.
Edition: 1/50
Written below etching: “Latrobe St Melbourne”

244. The Selector, 1923
Line etching, 13.3 x 8.4 cm.
Edition: 1/75

245. Sussex St Trade, 1923
Dry point, 21.9 x 25 cm.
Edition: 1/30

246. Dawn, 1923
Aquatint, 13.9 x 23.5 cm.
Edition: 1/75
Written below etching: “from a sketch made near Jindabine”

247. Teamsters, 1923
Aquatint, 15.3 x 22.2 cm.
Edition: 1/75

248. The Town of Gold, Seville, 1923
Spirit ground aquatint, 12.6 x 23.9 cm.
Edition: 1/50
From Dixson’s listings: “This Tower was used as a Treasury and also presumably as a prison. There is an underground passage leading from it to the castle”

249. The Waterhole, 1923
Spirit ground aquatint, 15.9 x 14.3 cm.
Edition: 1/50

250. White gums, 1923
Soft ground etching, 15.7 x 22.1 cm.
Edition: Unique proof (plate spoiled in etching)

251.Snowy River, 1923
Line etching, 15 x 22.6 cm.
Edition: 1/75

252. Beggars, 1923
Line etching, 22.6 x 15 cm.
Edition: 22.6 x 15 cm.

253. The Great Fig Tree, Berry’s Bay, 1923
Spirit Ground Aquatint, 15.3 x 23.6 cm.
Edition: 31/75

253a. The Caged Bird, 1923
Line etching, 17.5 x 13.6 cm.
Edition: 1/50

253b. The Vaquero, 1923
Line etching, 10.3 x 12.7 cm.
Edition: 1/50

253c. The Deserted House, 1923
Aquatint, 16.8 x 12.9 cm.
Edition: 1/50

253d (a). [Argyle Cut], 1923  
Line etching, 17.5 x 13.7 cm.
Edition: 1st state
Written below etching: “plate afterwards cut”

253d (b). Argyle Cut, 1923
Line etching, 15.5 x 13,7 cm.
Edition: 1/100

254. Demolition, the Girls High School, 1924
Line etching, 9.2 x 20.2 cm.
Edition: 1/75

255a. Little Outlaw, 1924
Line etching, 11.4 x 14.9 cm.
Edition: 1st state
Written below etching: “Pig jump altered to buck”

255b. The Little Outlaw, 1924
Line etching, 11.5 x 15.1 cm.
Edition: 1/75

256. The Stringy Bark, 1924
Line etching, 14.7 x 16.2 cm.
Edition: 1/50

257a. [A Pipe of Baccy], 1924
Line etching, 17.9 x 15.8 cm.
Edition: [Proof before plate cut]
Edition notes from Dixson’s listings.

257b. [A Pipe of Baccy], 1924
Line etching, 17.9 x 15.8
Edition: 1st state

244. The Selector, 1923

Tags

Identifiers

File Identifier

Permalink

Reference Code

Copying conditions

Hierarchy

Copyright

Connecting people and collections

Indigenous engagement

Schools and teachers

Stories