論陳子龍、柳如是擬 〈古詩十九首〉 / Chen Zilong and Liu Rushi's Imitations of the "Nineteen Ancient Poems"
論陳子龍、柳如是擬 〈古詩十九首〉 / Chen Zilong and Liu Rushi's Imitations of the "Nineteen Ancient Poems"
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鄭滋斌 and Cheng Che Bun
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Department of Chinese, The University of Hong Kong and Center for Chinese Language and Cultural Studies, Stanford University
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Chinese
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Department of Chinese, The University of Hong Kong and Center for Chinese Language and Cultural Studies, Stanford University
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從晉代 (265-420) 開始, 摹擬古詩作品的風氣盛行。 明代 (1368-1644) 前、後七子高唱復古, 何景明、李攀龍等便有擬古之作。 雲間詩派核心人物陳子龍 (1608-1647), 生當明末, 詩學主張接近前、後七子, 重視漢 (前206-220) 魏 (220-265) 以迄盛唐 (618-907) 的詩歌, 而不滿宋 (960-1279) 詩, 他有不少擬古或以樂府為題的作品。 他和當時名妓柳如是 (1618-1664) 的一段情緣, 因陳寅恪先生的用心研究, 開始大明於世, 而可以分為三個階段。 其始, 在明思宗崇禎五年 (1632), 陳子龍時年二十五歲, 柳如是十五歲相識; 到八年 (1635 ) 春二人同居, 同年分手為止, 前後四年。 崇禎七年 (1634), 二...
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論陳子龍、柳如是擬 〈古詩十九首〉 / Chen Zilong and Liu Rushi's Imitations of the "Nineteen Ancient Poems"
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TN_cdi_jstor_primary_23500692
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https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_jstor_primary_23500692
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0022-331X