The Transnational Constitution of Im Kwon-Taek's Minjok Cinema in Chokpo, Sǒp'yǒnje, and Ch'wihwasǒn
The Transnational Constitution of Im Kwon-Taek's Minjok Cinema in Chokpo, Sǒp'yǒnje, and Ch'wihwasǒn
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Rowman & Littlefield Publishers, Inc
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Language
English
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Rowman & Littlefield Publishers, Inc
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Contents
This essay proposes to examine three of the perhaps most important films in Im Kwon-Taek's career, Chokpo (Genealogy, 1978), Sǒp'yǒnje (1993), ara/Ch'wihwasǒn (Tainted Fire, 2002) with the emphasis on three male protagonists: Tani, Yubong, and Chang Süngöp, respectively. This essay explores how the symbolic and physical deaths these three character...
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Full title
The Transnational Constitution of Im Kwon-Taek's Minjok Cinema in Chokpo, Sǒp'yǒnje, and Ch'wihwasǒn
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TN_cdi_proquest_miscellaneous_1536008402
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https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_miscellaneous_1536008402
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ISSN
0731-1613,2158-1665
E-ISSN
2158-1665
DOI
10.1353/jks.2011.0018