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MUSICALS
100-101. Sheila Bradley, Johnny Ladd and Guido Lorraine in "Grab me a gondola", May-June 1959 / Phil Ward Studios, John Hearder
102. Joy Mammen in "The Great waltz", Oct-Nov 1966
103. "How to succeed in business without really trying", Feb-Sept 1964
104-106. "Irma la Douce", 1961 / Phil Ward Studios
107. Jim Weneira in "The Kiwis" revue [not in drag], 1952-1953 / Hal Williamson
108. Peter Dawson as Major Crumpet in "The Maid of the mountains" / Artgraf Studio
109. [Copy photograph of Gladys Moncrieff and men's chorus in "The Maid of the mountains"]
110-112. Gaylea Byrne in "Mame", Feb-Mar 1969 / Bruce Anderson
113. [Cast list and reviews noticeboards for "Man of la Mancha", Her Majesty's (old Empire) Theatre], Feb-June 1968 / Rembrandt Studios
114-115. Norman Yemm and three men in "Man of la Mancha", Feb 1968 / Hugh Fisher, Rembrandt Studios
116. [Crowd outside Her Majesty's Theatre for the opening night of "My fair lady", 1960 / Australian Consolidated Press
117-118. Bunty Turner and Robin Bailey, "My fair lady", 1960 / Hugh Fisher
119-121. Patricia Moore [and scenes], "My fair lady", 1960 / Allan Studios
122-123. Jane Martin and Stuart Wagstaff in "My fair lady" / Allan Studios
124. [Two leads in] "Oklahoma", 1951 / Hal Williamson
125-127. Maggie Fitzgibbon, Kevin Colson [and scenes] in Noel Coward's 'Sail away", July-Oct 1963 / Allan Studios
128-129. Mary La Roche [and Marine's concert scene], "South Pacific", 1953 / Hal Williamson
130. Miriam Lester as Josepha in "White Horse Inn" / Alan Gough
131. [Unidentified musical in medieval dress, "Man of la Mancha", "Vagabond King" ?] / Camera Press Services
OPERA
132. [Copy portrait of] Toti dal Monte
133-134. Amelita Galli-Curci / Madame Galli-Curci Mgt. photographs by Lumiere,  NY;  and, C.Mishkin, NY
135. Marjorie Lawrence
136. Kenneth Neate, Italian Grand Opera Co., Empire Theatre, 1955
137-138. Giulio Mastrangelo as Rigoletto, International Grand Opera Season, 1955
139. Marjorie Lawrence / Austin Wilder
140. Kirsten Flagstad as Elsa in "Lohengrin" / NBC Artists Service
141. Franca Nofri, ballerina in "Carmen", Grand Opera Co., 1948
142. Rina Malatrasi and Aldo Ferracoti in "Madame Butterfly", 1948 / Ritter-Jeppesen Studios
143. Adelio Zagonara, Maria Huder, Rina Malatrasi, Danilo Vega and Ferdinando Li Donni [in the wedding scene], "Madama Butterfly", 1948 / Allan Studios
144. Umberto Borso as Canio and Clara Scarangella as Nedda in "I pagliacci", 1955 / Allan Studios
145-146. Dora Minarchi, Umberto Borso, Elisabetta Barbato and Giulio Mastrangelo in "Il trovatore", 1955 / Allan Studios
147. Emma [Albani]
148. Nellie Melba, 1924 / Spencer Shier
149. "Aida", Her Majesty's Theatre, Sydney, 1901
150. Grand Opera Season, 1928, [signed by principals]
SUTHERLAND-WILLIAMSON INTERNATIONAL GRAND OPERA COMPANY, 1965
151. Joan Sutherland
152. Richard Bonynge / Allan Studios
153. [Sutherland with the Valentin and chorus in his death scene] / Allan Studios
154. Sutherland in the Mad Scene, "Lucia di Lammermoor" / Allan Studios
155-156. Sutherland, Monica Sinclair and women's chorus in "Semiramide" / Allan Studios
157-158. [Sutherland, Pavarotti, Elizabeth Harwood and company curtain call on the final night] 
159. Sutherland and Dorothy Cole in "La Sonnambula"
160-161. Sutherland, Pavarotti, Joseph Ward, Monica Sinclair, Spiro Malas and Cornelius Opthof in "La Traviata" / Allan Studios
162. Part of the 36 chorus rehearse "La Sonnambula" under chorus master Gerald Krug
EARLY PERFORMERS
163. [Print of] Miss Fitzmaurice Gill
164. [Print of] Haigh Jackson as Florestan de Valiancourt in "Veronique", Her Majesty's
165. [Print of] George Laurie, Grace Palotta and Hugh J. Ward
166. [Print of] George Laurie
167. [Copy of Mitchell Library photograph of] Maggie Moore in "The Trilby burlesque" / Falk & Co.
168. [Print of] Carrie Moore / Talma & Co.
169. [Print of] Carrie Moore
170. [Print of] Wallace Brownlow & Carrie Moore
171. [Print of] Grace Palotta
172. [Print of] Miss [Margaret] Thomas as Helene in "Veronique", Her Majesty's, 1906
173. [Print of] J.C. Williamson
WOMEN PERFORMERS
174. Lyndall Barbour
175. Wendy Blacklock / Robert Walker
176-177. Marie Bremner / Jack Cato;  John Lee
178. May Collins
179-180. Aileen Britton / Phil Ward Studios;  Ritter-Jeppesen Studios
181. Brenda Charles in "The Good old days" / Harry Jay
182. Carole Cook
183-184. Katharine Cornell in "Saint Joan" and "The Barretts of Wimpole Street" / Vandamm Studio (NY)
185. Cicely Courtneidge
186. Gertie Cremer / Ruskin (Melb.)
187. Gloria Dawn / Harry Jay
188. Beth Dean / Bruno of Hollywood (NYC)
189. Daphne Deane / [Sarah Lush ?]
190-191. Agnes Doyle "'Op 'o my thumb" / Walker Studios
192. Ruth Draper, 17 June 1938 / Max Dupain
193. Gracie Fields
194. Ethel Gabriel / Crichton D'Ora
195-196. Evelyn (Eve) Gardiner / Lee
197-198. Elizabeth Gaye as Gretel in "Dancing years" / Athol Shmith Studio
199. Marjorie Gordon, "Balalaika" / Perfect Photo Reproduction Co.

J.C. Williamson photographs : musicals, opera, early performers, women performers

Scaffold Attachment Factor B1 (SAFB1) is a multifunctional protein which has been implicated in breast cancer previously. We recently generated SAFB1 knockout mice (SAFB1-/-), but pleiotropic phenotypes including high lethality, dwarfism associated with low IGF-I levels, and infertility and subfertility in male and female mice, respectively, do not allow for straightforward tumorigenesis studies in these mice. Therefore, we asked whether SAFB1 heterozygosity would influence tumor development and progression in MMTV-Wnt-1 oncomice or DMBA induced tumorigenicity, in a manner consistent with haploinsufficiency of the remaining allele.
We crossed female SAFB1+/- (C57B6/129) mice with male MMTV-Wnt-1 (C57B6/SJL) mice to obtain SAFB1+/+/Wnt-1, SAFB1+/-/Wnt-1, and SAFB1+/- mice. For the chemical induced tumorigenesis study we treated 8 weeks old SAFB1+/- and SAFB+/+ BALB/c mice with 1 mg DMBA once per week for 6 weeks. Animals were monitored for tumor incidence and tumor growth. Tumors were characterized by performing H&E, and by staining for markers of proliferation and apoptosis.
We did not detect significant differences in tumor incidence and growth between SAFB1+/+/Wnt-1 and SAFB1+/-/Wnt-1 mice, and between DMBA-treated SAFB1+/+ and SAFB1+/-mice. Histological evaluation of tumors showed that SAFB1 heterozygosity did not lead to changes in proliferation or apoptosis. There were, however, significant differences in the distribution of tumor histologies with an increase in papillary and cribriform tumors, and a decrease in squamous tumors in the SAFB1+/-/Wnt-1 compared to the SAFB1+/+/Wnt-1 tumors. Of note, DMBA treatment resulted in shortened survival of SAFB1+/- mice compared to their wildtype littermates, however this trend did not reach statistical significance.
Our data show that SAFB1 heterozygosity does not influence Wnt-1 or DMBA-induced mammary tumorigenesis.

Molecular cancer, 2009-03, Vol.8 (1), p.15-15

Scaffold attachment factor B1 (SAFB1) heterozygosity does not influence Wnt-1 or DMBA-induced tumorigenesis

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J.C. Williamson photographs : musicals, opera, early performers, women performers

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Scaffold attachment factor B1 (SAFB1) heterozygosity does not influence Wnt-1 or DMBA-induced tumorigenesis

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