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Grammars of creation : originating in the Gifford Lectures for 1990 / George Steiner.

A. Personal and professional correspondence, 1964-2002 (RESTRICTED)
BOX 1 (RESTRICTED)
Folder 1: File ‘Universities/ISCM/Festivals’, being letters received, 1965-1977.
Folder 2: File ‘ABC/Radio Stations’, being letters received, 1966-1975. Correspondents include John Hopkins, Patrick Thomas.
Folder 3: File ‘Alberts/Musica Viva’, being letters received, 1966-1976. Correspondents include J. Albert & Son Pty Ltd (E. F. Albert, Franz Holford, Donald Newton, Jane Spring), Musica Viva Society of Australia (Regina Ridge), Donald Peart, Peter Platt.
Folder 4: File ‘Bill/U.E’, being letters received, 1969-1975, mainly from William (Bill) M. Colleran, Universal Edition (London and Australia).
Folder 5: File ‘1966-7 Misc.’, being letters received, 1964-1970. Correspondents include John Hopkins, Musica Viva Society, Donald Peart.
Folder 6: File ‘Misc. personal, 1966-71’, being letters received, 1966-1977. Correspondents include Anne Boyd, Nigel Butterley, Ian Cugley, Helen Gifford, Graham Hair, Peter Maxwell Davies, Richard Meale, James Murdoch, Donald Peart, Peter Sculthorpe. Includes music manuscript in pencil ‘Suite for Ross’ by Peter Maxwell Davies, Killara, 20 August 1966.
Folder 7: File ‘Misc. personal (Recent)’, being letters received, 1970-1978 and undated. Correspondents include Rosie Allen, Michael Hannan, Franz Holford, Rainer Linz, Roger Marsh, Maria Szewcow, Martin Wesley-Smith. Includes printed sheet music of ‘Smithy’ by Marion Wilson, dedicated to Ernest Crome and sent to Ross Edwards by Ernest Crome, 1978.
Folder 8: File ‘Correspondence, Misc. other’, being letters received and papers, 1968-1976. Correspondents include Charlotte (Cubitt), Rainer Linz, Viv (Vivienne Olive). Papers include tenancy agreement 1969, corrections to Faber score of ‘Mountain Village in a Clearing Mist’ 1975, various invoices and financial statements.

BOX 2 (RESTRICTED)
Folder 1: File ‘Viv & Charlotte’, being letters received, 1972-1978 and undated. Letters from Vivienne Olive, Charlotte Cubitt and others.
Folder 2: File ‘Florian 72/73’, being letters received, 1973-1974, and copies of reviews in newspapers. Correspondents include David Galliver (University of Adelaide), John Hopkins (Victorian College of the Arts and ABC), Florian Kitt.
Folder 3: Unnamed file concerning employment at the NSW State Conservatorium of Music, 1974-1978.
Folder 4: File ‘Letters to us’, being letters received, 1978-1980 and undated. Correspondents include Alison and Tony Gilbert, Martin Kingsbury, David Worrall.
Folders 5-7: File ‘Letters to be filed’ (now in 3 folders), being letters received 1977-1979, 1980, 1981 and undated. Correspondents include Judy Arnold (Manager, Peter Maxwell Davies), Anne Boyd, Marjorie Brash, Charlotte Cubitt, Alison and Tony Gilbert, Martin Kingsbury (Faber Music Limited), Rainer Linz, Sally Mays, Hartley Newnham, Peter Platt, Nicholas Routley, Kim Williams, Roger Woodward, David Worrall.

BOX 3 (RESTRICTED)
Folders 1-2: File ‘Letters received’ (now in 2 folders), 1981, 1982 and undated. Correspondents include John Bostock (enclosing his score for ‘Temple bells’), Anne Boyd, Bruce Candy, Charlotte Cubitt, Alison and Tony Gilbert, Martin Kingsbury (Faber Music Limited), Greg Knowles (dedicatee of ‘Marimba Dances’), Rainer Linz, Sally Mays, Hartley Newnham, Vivienne Olive, Vincent Plush, Nicholas Routley, Carl Vine.
Folder 3: File ‘Letters (misc.) to me, 1983’. Correspondents include Anne Boyd, Malcolm Fraser, Tony Gilbert, Michael Hannan, Hartley Newnham, Vincent Plush, Nicholas Routley, Peter Sculthorpe.
Folder 4: File ‘Letters received’, 1984 and undated. Correspondents include Australia Council (Music Board), Deanna Blacher, Anne Boyd, Ian Coss, Alison and Tony Gilbert, Michael Hannan, Florian Kitt, Sally Mays, Vincent Plush, Nicholas Routley, Peter Sculthorpe.
Folder 5: File ‘Letters to us, 1985’. Correspondents include Bruce Candy, Tony Gilbert, Florian Kitt, Sally Mays, Vivienne Olive (including two colour photographs), Nicholas Routley.
Folder 6: File ‘Letters to us 1986-89’. Correspondents include Anne Boyd, Tony and Alison Gilbert, Michael Hannan, Florian Kitt, David Matthews, Sir Peter Maxwell Davies, Sally Mays, Hartley Newnham, Vivienne Olive, Vincent Plush, Nicholas Routley, Peter Sculthorpe, Martin Wesley-Smith.

BOX 4 (RESTRICTED)
Folders 1-3: File: ‘Letters to us, 1990-93’ (now in 3 folders), being letters received, 1990-1992, 1993, and undated. Includes cards for 50th birthday and speech given by Peter Sculthorpe, 1993. Correspondents include Anne Boyd, Philip Cooney, Winsome Evans, Andrew Ford, Anthony (Tony) Gilbert, Gabriel Jackson, Florian Kitt, Stephen Leek, David Matthews, Hector McDonald, Wilfrid Mellers, Hartley Newnham, Vivienne Olive, Vincent Plush, Peter Sculthorpe, Paul Stanhope, Fred Watson, Belinda Webster, Martin Wesley-Smith, Roger Woodward.
Folder 4: File: ‘Letters received 1994- ‘, being letters received, 1994-1995. Correspondents include Nigel Butterley, Jeanell Carrigan, Philip Cooney, Charlotte Cubitt, Andrew Ford, Ann Ghandar, Norman Hall, Aaron McMillan, Peter Sculthorpe, Fred Watson, Martin Wesley-Smith.
Folder 5: File: ‘Wild Swans’, 1993-1996, being correspondence with Sydney Metropolitan Opera, Judith Pugh, John Wregg.

BOX 5 (RESTRICTED)
Folders 1-4: File ‘Letters, 1996-2001’ (now in 4 folders), being letters received, 1996, 1997, 1998-2002, and undated. Includes letters regarding Order of Australia award in 1997. Correspondents include Bruce Beresford, Nigel Butterley, Bob Carr, Bill Colleran, Philip Cooney, Anthony Gilbert, Eric Gross, Donald Hazelwood, Don’o Kim, David Malouf, David Matthews, Richard Mills, Peter Platt, Vincent Plush, Nicholas Routley, Jane Rutter, Peter Sculthorpe (to Adrienne), Martin Wesley-Smith.
Folder 5: File ‘Copies of my letters’, 1978-1991 and undated, some in draft form, some with letters received attached. Correspondents include Australia Council (Music Board), Stuart Challender, Bill Colleran, Philip Cooney, Norman Hall, John Hopkins, Gabriel Jackson, Martin Kingsbury, Florian Kitt, Kronos String Quartet, Sally Mays, Wilfrid Mellers, Petra String Quartet.

BOX 6 (RESTRICTED)
Folders 1-3: File ‘Letters (copies)’ (now in 3 folders), being mainly copies of letters sent, 1992-1996, 1997, 1998-2000 and undated. Some in draft form. Many with letters received attached. Includes replies to letters of congratulation for the award of Member of the Order of Australia, 1997. Correspondents include Fred Blanks, Inga Brasche, Brodsky Quartet, Karen Carey, Bob Carr, John Cran, John Davis, Andrew Ford, Ann Ghandar, Eric Gross, Gabriel Jackson, Timothy Kain, Stephen Leek, Sir Peter Maxwell Davies, Hilary McPhee, Musica Viva, Jonathan Paget, Peter Platt, Ken Tribe, Fred Watson, Kim Williams, as well as students and fans.
Folders 4-7: File ‘Faxes received/sent’ (now in 4 folders), 1994-1995, 1996, 1997, 1998-1999 and undated. Correspondents include Karen Carey, Jeanell Carrigan, Philip Cooney, Don Featherstone, Peter Garrett, Kate Grenville, Peter Grimshaw, Barry Humphries, Steven Isserlis, David Malouf, Barbara Mobbs, Vincent Plush, Peter Sculthorpe, Maria Shevtsova, Carl Vine, Belinda Webster, John Williams.

BOX 7 (RESTRICTED)
Folders 1-4: Unnamed file (now in 4 folders), being correspondence concerning commissions 1972-1988, 1990-1993, 1994-1997, 1998-2001 and undated. Correspondents include Adelaide Festival, Australia Council, Australian Piano Quartet, Blue Mountains Festival, Evelyn Glennie (including photograph of Evelyn Glennie by Suzie E. Marder), Eva Griffith, Timothy Kain, Sally Mays, Melbourne International Festival, Barbara Mobbs, Graeme Murphy, Musica Viva Australia, Newington College, Perihelion, Vincent Plush, St Andrew’s Cathedral, Leo Schofield, Tyalgum Music Festival, University of Adelaide, University of Sydney, Belinda Webster, John Williams.
Folder 5: File: ‘Dancing Light correspondence’, being correspondence concerning a commission for the Australian Chamber Orchestra at the National Gallery of Australia, 1999.

BOX 8 (RESTRICTED)
Folder 1: Printouts of emails, 1999, being mainly emails sent. Correspondents include Australian Piano Quartet, Inga Brasche, Philip Cooney, Deborah de Graaff, Michael Hannan, Matthew Hindson, Miranda Jackson (Universal Edition), Vincent Plush, Goetz Richter, Karin Schaupp, Maria Shevtsova, Paul Stanhope, Fred Watson, Belinda Webster, Martin Wesley-Smith. Arranged in chronological order.
Folders 2-4: Printouts of emails, 2000 (in 3 folders). Correspondents include Bruce Beresford, Inga Brasche, Philip Cooney, Bruce Crossman, Emily Edwards, Deborah de Graaff, Grevillea Ensemble, Matthew Hindson, Miranda Jackson, Chris Latham, Dene Olding, Rosalind Page, Roland Peelman (The Song Company), Vincent Plush, Karin Schaupp, Paul Stanhope, Fred Watson, Belinda Webster, Martin Wesley-Smith. Arranged in chronological order.
Folder 5: ‘Starry Night’. Emails from Robyn Stutchbury, 2000.
Folder 6-7: Printouts of emails, 2001 (in 2 folders). Also includes some letters received and faxes sent. Correspondents include Bruce Beresford, Calvin Bowman, Jeanell Carrigan, Philip Cooney, Deborah de Graaff, Richard Divall, Emily Edwards, Matthew Hindson, Gabriel Jackson, Miranda Jackson, Chris Latham, James Ledger, Tim Matthies, Barbara Mobbs, Prue Neidorf, Rosalind Page, Patricia Pollett, Goetz Richter, Maria Shevtsova, Paul Stanhope, Fred Watson, Martin Wesley-Smith, Graham Williams, Z.o.o. guitar duo. Arranged in chronological order.

BOX 9 (RESTRICTED)
Folder 1: ‘Some Star Chants correspondence’, being correspondence with Fred Watson, Chris Latham and David Malin, 2001-2002.
Folders 2-5: Printouts of emails, 2002 (in 4 folders). Also includes some letters received and faxes sent. Correspondents include Bruce Beresford, Kate Bowen, Anne Boyd,  Greta Bradman, Inga Brasche, Fr. Arthur Bridge, Philip Cooney, James Cowan, Bruce Crossman, Charlotte Cubitt, Claire Edwardes, Flinders Quartet, Michael Hannan, Matthew Hindson, Miranda Jackson, Florian Kitt, Chris Latham, Christopher Lawrence, James Ledger, Kate Lidbetter, David Malin, Barbara Mobbs, Ian Munro, James Nightingale, Patricia Pollett, Janet Rutherford,  Karen Schaupp, Peter Sculthorpe, Julie Simonds, Paul Stanhope, Adrian Walter, Fred Watson, Martin Wesley-Smith, Graham Williams, Z.o.o. guitar duo. Arranged in chronological order.

B. Appointment diaries, 1971, 1982-2001
BOX 10
14 appointment diaries, 1971, 1982-1993 (including two diaries for 1992), and 1 address book.

BOX 11
8 appointment diaries, 1994-2001.

C. Files, mainly for lectures, 1963-2000
BOX 12
Folder 1: Notes for a lecture on Baroque music, ca. 1977.
Folder 2: Typescript transcript of oral history interview with Ross Edwards by National Library (de Berg tape 665), 29 March 1973.
Folder 3: File ‘P.M.D. Radio script for 28/10/80’ containing typescript for broadcast on Peter Maxwell Davies for 2MBS FM Sydney.
Folder 4: Typescript poetry sent to Ross for advice, in an envelope marked ‘Merv’, undated.
Folder 5: Typescript transcript of interview with Ross Edwards by Inga Brasche, 12 October 1995, and essay ‘Notions of deep ecology in the music of Ross Edwards’ by Inga Brasche, ca. 1995.
Folder 6: Article ‘The Song of the Earth: some personal thoughts’ by Peter Sculthorpe, undated.
Folder 7: File including transcript of an unpublished interview of Ross Edwards by Anthony Gilbert, chronological list of works 1965-1979, and biographical notes, undated.
Folder 8: File ‘Sanctuary’ (part of Brisbane Biennial International Music Festival, 1995), 1991-1995.
Folder 9: File ‘Darwin’, concerning the Darwin International Guitar Festival, July 1995. Includes brochures and faxes.
Folder 10: File ‘Starry Night outback tour, May 2000’ with Fred Watson.
Folder 11: File ‘Transforming Art material’ article by Ross Edwards, undated.
Folder 12: File ‘Beethoven II’, being notes for lecture(s) on Beethoven.
Folder 13: File ‘Unit 5 1977’, lecture notes for History of Music course, 1977.
Folder 14: File ‘Varese’, lecture notes on Edgar Varese for Experimental Music Seminar, undated.
Folder 15: Unnamed file containing lecture notes on ‘The natural harmonic series and the formation of scales’, undated.
Folder 16: Unnamed file containing lecture notes on Temperament, undated.
Folder 17: File ‘Messiaen’, lecture notes on Messiaen, undated.
Folder 18: File ‘Important stuff’, lecture notes on Classicism/Romanticism, undated.
Folder 19: File ‘Orchestration 1980 assignment’.
Folder 20: File ‘Webern’ lecture notes, undated.
Folder 21: File ‘Birdie’, correspondence with Colin Cornish of Southern Star Group, 1995.
Folder 22: File ‘MICMC’ (Melbourne International Chamber Music Competition), 1998-1999.
Music Book ‘Aural Exercises, NSW Conservatorium of Music’, undated.

BOX 13
Folder 1: File ‘Stuff to be filed by me…’ 1979 1998, including miscellaneous notes, membership list for The Seymour Group, 1979, photocopy of Yarrageh score (titles and first page), typescript draft programme notes for Monos I, Monos II and Laikan I.
Folder 2: File ‘Australia Council’ (also marked ‘Orchestration’), being correspondence with Australia Council and Australia Music Centre, 1975-1979, including a letter from Peggy Glanville-Hicks, 1977.
Folders 3-5: ‘Australia Council (Music Board)’ (now in 3 folders), 1966-1990, 1991-2000 and papers concerning membership of Music - Composition Committee 1989-1991. Includes letters from APRA, 1966-1973, Office of the High Commissioner for Australia, 1971-1973, Australian Council for the Arts, 1973-1974, Young Composers School 1984, Australia Council correspondence mainly concerning grant applications and acquittals, 1983-2000, including Don Banks Composer Fellowship 1989, Creative Fellowship 1990-1993, Australian Artist Creative Fellowship 1995-1997.
Folder 6: Papers of Helen Edwards (nee Hopkins), 1967-1979, and Emily Edwards, 1993.
Folder 7: File ‘Concerts organised by Helen Edwards in the Pearl Beach Hall, Aug-Sept 1979’.
Folder 8: Photographs (4), comprising Ross Edwards ca. 1963, wedding of Ross and Helen Edwards 1974, Ross Edwards 1983, Royal Easter Show 1992.

D. Newscuttings and printed material collected, 1965-2002
BOX 14
Folders 1-2: ‘Press cuttings (R.E.) (Old)’ (now in 2 folders), 1965-1988, 1989-2002 and undated, being mainly reviews of performances of works by Ross Edwards. Includes Memorial service for Donald Peart, 1981. Arranged in chronological order.
Folders 3-5: ‘Articles in magazines, Periodicals’ (now in 3 folders), 1968-1988, 1989-1992, 1992-1998 and undated. Includes articles by and about Ross Edwards. Arranged in chronological order.

E. Concert programmes collected, 1965-2001
BOX 15
Concert programmes collected (now in 4 folders), 1965-1973, 1974-1983, 1984-1987, 1988-1991, being mainly concerts and festivals featuring works by Ross Edwards and other contemporary Australian composers. Arranged in chronological order.

BOX 16
Concert programmes collected (now in 5 folders), 1992-1993, 1994, 1995, 1996-2001, and undated, being mainly concerts and festivals featuring works by Ross Edwards and other contemporary Australian composers. Arranged in chronological order. Includes Adelaide Festival 1992 program signed by Evelyn Glennie, and Edwards' 50th Birthday celebration concert program signed by Alan Holley (Musical Director), 1994.

F. Outsize items, ca. 1985-1994
FOLDER 17X
Original manuscript poster for Music Classes at Pearl Beach Community Hall by Helen Edwards, ca. 1977.
Cartoon drawings on four large pages by Jeremy Edwards, ca. 1985.
Placemat drawn by Emily Edwards as a young child, ca. 1985.
Certificate for Australian Artists Creative Fellowship, presented to Ross Edwards by the Prime Minister, Paul Keating, 17 October 1994.

POSTERS (transferred to printed collection)
1. Weltmusikfest Basel, 19-26 June 1970 (including Ross Edwards representing Australia).
2. Roger Woodward Piano Recital with Tapes, Queen Elizabeth Hall, 25 April [1971] (including World premiere of Monos II by Ross Edwards).
3. Australian Composers Series One, produced for the Music Board of the Australia Council (including photograph of Ross Edwards), [1980].
4. The Seymour Group presents Australian Premiere of ‘Eight songs for a mad king’ by Peter Maxwell Davies and Randolph Stow, [1987?] (including Shadow D-Zone by Ross Edwards).
5. Darwin International Guitar Festival, Guitar Magic with John Williams, 7 July 1995 (including world premiere of Ross Edwards’ Guitar Concerto). 4 copies.
6. Darwin International Guitar Festival, June 28-July 7, 1995.


Series 1: Ross Edwards further papers

Science as salvation : a modern myth and its meaning / Mary Midgley.

BOX 1
Letters, interview notes, questionnaire responses, ephemera and general information collected on Australian women composers, 1888-2003 (arranged alphabetically by composer).
Correspondents include: Olive Anderson, Betty Beath, Rosalie Bonighton, Ann Carr-Boyd, Judy Clingan, Moneta Eagles, Ann Ghandar, Helen Gifford, Dulcie Holland, Miriam Hyde, Elena Kats-Chernin, Mary Mageau and June Nixon.

BOX 2
Printed material collected featuring Australian women composers, 1969-2003, including 2MBS-FM Programme Guides, ABC Radio Guides and ABC FM 24 Hours magazines.

Music scores collected, 1907-1982 and undated (arranged alphabetically by composer):

Olive ANDERSON: Elegy for a daughter. 1 ms. orchestral score in ink, undated
Betty BEATH: Indonesian triptych. Words by Goenawan Mohamad. 1 printed score for voice and piano, undated
Betty BEATH: Piccolo victory. 1 printed score and parts for piccolo, flute, harpsichord, cello, rhythm sticks and side drum, 1982
Betty BEATH: Songs from 'The Beasts’ Choir'. Words by Carmen Bernos de Gasztold. 1 printed score for voice and piano, undated
Betty BEATH: Walking in sunshine. 1 published score for 2 voices and piano. Red Hill: ASMUSE, 1981
Anne BOYD: As far as crawls the toad. Photocopy of random published pages to illustrate devices of style, performance and notation. London: Faber Music, 1977
Anne BOYD: As I crossed a bridge of dreams. Photocopy of random published pages to illustrate devices of style and notation, 1977
May BRAHE: Down here. Words by P.J. O’Reilly. 1 published score for voice and piano. London: Enoch, 1915
May BRAHE: Life’s balcony. Words by Helen Taylor. 1 published score for voice and piano. London: Boosey, 1934
May BRAHE: Oh, pray for peace. Words by Helen Taylor. 1 published score for voice and piano. London: Boosey, 1939
May BRAHE: Real Australian children songs [incomplete album]. Words by Madge Dickson. 1 published score for voice and piano. Melbourne: Allans, 1911
May BRAHE: To a miniature. Words by Helen Taylor. 1 published score for voice and piano. London: Enoch, 1917
Molly CAREW: Advice. Words by Royden Barrie. 1 published score for voice and piano. London: Chappell, 1925
Moneta EAGLES: First Spring morning. Words by Robert Bridges. 1 published score for soprano and alto voices. Melbourne: Allan, 1962
Ernest A. ERWIN and A. Dorothy ERWIN: Love’s Springtime. Words by A. Dorothy A. Erwin. 1 published score for voice and piano. Self-published, 1938
Dorothy FORSTER: Rose in the bud. Words by Percy J. Barrow. 1 published score for voice and piano. Sydney: Chappell, 1907
Ann GHANDAR: Eshelgharam. Photocopy of ms. score for piano, 1978
Ann GHANDAR: Haloes. Photocopy of ms. score for violin, viola, cello and piano, 1975
Ann GHANDAR: The prisoners. Photocopy of ms. score for voice, flute, cello and piano, 1975
Ann GHANDAR: Recollections of a Latvian song. Photocopy of ms. score for flute, oboe, clarinet and piano, 1973
Edith HARRHY: Dusk. Words by Sir William Watson. 1 published score for 2 voices and piano. Melbourne: Allans, 1935
Marjorie HESSE: The dolls’ minuet; Snow falling; The hobby horse. Photocopy of published score for piano. Sydney: Paling, 1936
Miriam HYDE: Study in blue, white and gold. Photocopy of published score for piano. Melbourne: Allans, 1974
Miriam HYDE: Sunrise by the sea. 1 published score for voice and piano. Sydney: Nicholson’s, 1955
Mrs Joseph F. KNAPP: Open the gates of the temple. Words by Fanny Crosby. 1 published score for voice and piano. Melbourne: Allans, 1934
Sr Marie Therese LEVEY: Piano book for beginners. Photocopy of ms. score for piano, undated
Mary MAGEAU: The line always there.1 published score for SA choir, flute, piano duet and percussion. Red Hill: ASMUSE, 1981
Mona McBURNEY: A Persian song of Spring. Words by Hafiz. 1 published score for voice and piano. Melbourne: Allans, 1925
Varney MONK: Australia. Words by Varney Monk. Photocopy of published score for SATB. Sydney: Chappell, 1951
Mrs C. H. MORRIS: The stranger of Galilee. Arranged by Mable Miller Sturgis. Words by C. H. Morris. 1 published score for voice and piano. Sydney: Paling, 1926
June NIXON: St Paul’s service. Photocopy of ms. score for SATB choir and organ, undated
June NIXON: Were you there? Photocopy of ms. score for SATB choir, undated
Madame Eleanor Vespucci STARR: Love’s melodies. Words by the composer. 1 published score for voice and piano, and 1 violin part. Self-published, undated
Norma TYER: Fragments from the 15th century Coventry Corpus Christi Pageants. 1 published score for SSATB choir and piano (for rehearsal only). London: Chappell, 1962

BOX 3
Sound recordings not to be issued - master tape only. For access please contact the Curator of Oral History.

Cassette recordings of radio programs:

1. Interview, discussion and performance with Betty Beath. Presented by Christopher Dean on 4MBS 1980 (60 mins).
Recorded on ACV C-90 (all of Side A, half of Side B)

2. Music of Australian women composers: Mirrie Hill, Margaret Sutherland and Miriam Hyde (and oboe music by Franz Holford). ABC Radio broadcast 12/6/1981. Also recordings from ABC Transcription Service Record AC 1049.
Recorded on Maxell UD 90 (both sides full).

3. Side A: Glen Menzies interview with Anne Boyd, ABC Radio Sept 81. 
2MBS FM Salute to Australians: 'Aboriginal themes' by Mirrie Hill, Norma Hunter contralto, Allan McKie baritone, ASO conducted by Henry Krips 17/10/81 ABC AC1013.
Side B: 'Aboriginal themes' by Mirrie Hill continued. 
New Music on ABC Radio, 26/10/81 'Tell out my soul' (Magnificat) by Jennifer Fowler. 'Fanfare' by Jennifer Fowler, Tasmanian Orchestra conducted by Patrick Thomas ABC recording ABC RRC 72 40564(3).
Recorded on Hitachi C-60 (both sides full).

4. Side A: New Music ABC (AM) 11/1/82 Anne Boyd 'Cycle of love', 'As I crossed a bridge of dreams'. 13/1/82 Mirrie Hill 'Arnhem Land Symphony',  SSO conducted by Henry Krips.
Side B: Mirrie Hill continued (about 15 minutes) 13/1/82. 
Recorded on TDK AD-C90 (all of Side A, third of Side B).

5. Australian Women in Music (labelled Women & Arts Festival) with Ann Carr-Boyd ABC-AM 22/10/1982.
Recorded on TDK D90 (all of Side A, most of Side B)

6. Australian Women in Music (labelled Women & Arts Festival) with Ann Carr-Boyd ABC-AM 28/10/1982.
Recorded on TDK D90 (both sides full)
 
7. Ann Carr-Boyd on Australian Women Composers 2MBS-FM
Side A: 'Mars' by Ann Carr-Boyd; Sonatina for violin & piano by Sutherland; String Quartet by Anne Boyd; 'The Young Kabbarli' by Sutherland; 'Aboriginal Themes' by Mirrie Hill; Sonata for piano and percussion by Glanville-Hicks; 'Hayseed' by Holland; Piano solo by Brandman; 'Feet Music' by Bailey (Play School); 'Time & time again' by Gifford; 'Chimes fractured' by Fowler
Side B: labelled 'blank' but has unidentified music on it (about 20 mins)
Recorded on TDK AD-C90 (all of Side A, half of Side B)

8. Women Composers ABC Radio National 5/5/87 Music Line program
Recorded on TDK D90 (all of Side A, third of Side B)

9. 'Women composers: A final curtain call' presented by Maureen Cooney about 10 Australian women composers of the 20th Century. ABC Radio 10/12/1990.
Recorded on TDK D90 (both sides full).

10. Radio programme: Four Australian Musical Comedies, including Varney Monk’s 'Collitt’s Inn'. Narrated and produced in Perth by Charles Graham.
Recorded on Hitachi C60 (all of Side A, 5 mins of Side B)

Cassette recordings of music:

11. Side A: Piano Concerto No.2 in 3 movts by Miriam Hyde. Soloist Miriam Hyde, SSO, conducted by Joseph Post (24’21”) ABC 4158 PRX. Also 'Lyric' by Miriam Hyde, QSO, conducted by Rudolf Pekarek (5’38”)
Side B: 'Heroic Elegy' by Miriam Hyde, QSO, conducted by Rudolf Pekarek (8’4”). 'Chima era' by Helen Gifford, SA Symphony Orchestra conducted by Patrick Thomas (9’30”) ABC RRCS-386 1070 B. 'Phantasma for strings' Strings of WA Symphony Orchestra conducted by Patrick Thomas (8’35”) ABC RRCS 124 40566. 'Canzone', Tasmanian Symphony Orchestra conducted by Patrick Thomas (1’53”) ABC RRC 72 40564.
Recorded 25/11/1981 on Hitachi C60

12. Side A: Sutherland: Sonata for clarinet & piano, Divertimento for String Trio, Haunted Hills (about 35 mins).
Side B: Blank
Recorded 14/5/82 at UNE on TDK AD-C90

13. Side A: Hyde: Song and piano solos and works for flute & piano. From Ann Carr-Boyd ABC collection. Taped May 1982.
Side B: Miriam Hyde: piano solos and orchestral overture. Mirrie Hill: songs and orchestral works. Linda Phillips: Four Bush Lyrics: 'The wattle tree', 'Bird call', 'Bracken brown', 'Where the coloured parrot flies'.
Recorded on Hitachi UD-C90 (both sides full).

14. Side A: 'Outdoor Overture' 1953 by Sutherland, QSO conducted by Patrick Thomas, 1975 AC 1007. 'Quartet for cor anglais, violin, viola & cello' by Sutherland. 'Discussion for string quartet' (in 1 movement) by Sutherland. 'Variations on an original theme' (fragment only) by Phyllis Batchelor.
Side B: Sonatina for violin & piano by Sutherland. Fantasy for violin & piano by Sutherland.
Recorded on TDK D-C60 (both sides full).

15. Side A: Sutherland, Phillips, Sutherland, Eagles, Holland
Side B: Eagles, Holland, Hesse, Rofe, Hyde, Hill
Recorded on Hitachi UD-C90 (both sides full).

Original interviews and music recordings described in attached item-level record (3 sound cassettes)

Meg Matthews research papers, music scores and sound recordings relating to Australian women composers, 1888-2003, mainly compiled 1980-1985

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Grammars of creation : originating in the Gifford Lectures for 1990 / George Steiner.

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Series 1: Ross Edwards further papers

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Science as salvation : a modern myth and its meaning / Mary Midgley.

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Meg Matthews research papers, music scores and sound recordings relating to Australian women composers, 1888-2003, mainly compiled 1980-1985

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Grammars of creation : originating in the Gifford Lectures for 1990 / George Steiner.

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Series 1: Ross Edwards further papers

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Science as salvation : a modern myth and its meaning / Mary Midgley.

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Meg Matthews research papers, music scores and sound recordings relating to Australian women composers, 1888-2003, mainly compiled 1980-1985

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