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BOX 1
1. Envelope of thank you letters and greeting cards, ca. 1990-2012, from Luciana Arrighi, Eileen Atkins, Michael Blakemore, Michele and Gyles  Brandreth, Bille Brown, Hugo Cecil, Joan Collins, Margaret Fink, Hugo Williams (poet) and Simon Williams (actor) (sons of Hugh and Margaret (Vyner) Williams), Margaret Anne, Lady Stuart of Findhorn, and order of ‘service for funeral of Googie Withers AO, CBE (1917-2011), St Paul’s Church, Covent Garden.
Envelope of thank you letters and greeting cards, 2009-2011, from among others, Luciana Arrighi, Phillip Eade, Alexandra ‘Sacha’ Hamilton (Duchess of Hamilton), Virginia Ironside, Clytie Jessop, Roger Wingate, Earl and Countess of Hardwicke, Lady Rosa Lipworth and Alexander Shihwarg.

2. Edit of ‘Incidental Memoir’, notes, including corrections

3. 'Peter Wood - "Life and Times of William Shakespeare" (International Famous Agency Limited file), 1973-1974, mainly correspondence relating to client Peter Wood's services for directing ten episodes of the above named television series

4. 'Monsoon’ - Correspondence' (Souzatzka Productions Limited file), 1992-1993, relating to production and funding for the film, Monsoon, based on the novel Ivory Swing by Janette Turner Hospital, including correspondence with Australian Film Finance Corporation. (Producers, Robin Dalton and Clytie Jessop)
'Ivory Swing’ - Clytie Jessop, etc.', 1990-1994, mainly correspondence

5. 'Pinocchio - The Grotesque, Shensi, etc.', 1986-2012, relating to Pinocchio Productions Limited and various film projects, including correspondence with John Watkinson, Clement M. Brown, Roger Peters (Hay Film Fever Company Limited) and Maria Vieyte

6. 'David Palmer', 1972-1973, International Famous Agency Ltd file relating to clients and muscians, chiefly David Palmer and Michael J. Lewis

7. File relating to client and author, Anthony Burgess (Robin Dalton Associates file), 1968-1971, relating to payment for assignment of copyright in his novel, Nothing Like the Sun, and other works, to Warner Brothers. Correspondents include Deborah Rogers Ltd Literary Agency and Warner Bros.-Seven Arts Productions Ltd, with letter received by Robin Dalton from Cameron Mackintosh, 24 Nov. 1971, relating to copy of agreement signed by Francis King for Epiphany of Fire

8. File relating to client and novelist, Stephen Coulter (Robin Dalton Associates file),1969-1970, including correspondence with Coulter and Carthay Center Productions, Ltd relating to sale of option on film rights in his novel Embassy (1969)	

BOX 2
1. 'Edna O'Brien' (Robin Dalton Associates file), 1967-1977, 1984, relating to client and author, Edna O'Brien and rights in various works of hers

2. 'Edna O'Brien - Girls in their Married Bliss' (Robin Dalton Associates file), 1968-1971, relating to client and author, Edna O'Brien, and rights in her novel

3. 'Edna O'Brien: Letters re negotiations' (Fraser & Dunlop Scripts Ltd), 1972- 1981, including correspondence with client and writer, Edna O'Brien, relating to her play The Brontes', 1980, including correspondence with Duncan C. Weldon; correspondence relating to rights to her story, 'Over', 1973; correspondence relating to her screenplay 'The Wicked Lady', 1982, including correspondence with Michael Winner; and correspondence relating to rights to her novel, Johnny I Hardly Knew You (1977), the production of her play, 'The Gathering', 1974-1977, and rights in various other works, 1972-1981

4. 'Edna O'Brien - General Correspondence', 1967-1979, 2012, including personal and business correspondence, with O'Brien , including rights management and commissioning of works, and photocopied and undated draft of story by O'Brien. Correspondents include British actor, writer and director, Patrick Garland

5. 'Edna O'Brien : Personal Letters but on her business', 1970-1980 , correspondence mainly with Edna O'Brien and including carbon typescript draft of her article, 'Dear Mr. Joyce'

6. 'Lester Taube - Film/Publishing - Atonement for Two', 1968-1981, relating to client and author, Lester Taube, and including correspondence with him and rights in various books of his, including Atonement for Two

7. 'Lester Taube- Cossack Cowboy- Publishing UK/USA', 1970-1982, relating to client and author, Lester Taube, and including correspondence with him and rights in various books of his, including the novel, The Cossack Cowboy (1971). Other correspondents include Patricia Lovell, 1979-1980

8. 'David Manber', 1970-1991, correspondence with and relating to client, playwright and screenwriter, David Manber

9. 'David Osborn' (lnternational Famous Agency Ltd file), 1961-1973, correspondence with and relating to client and author, David Osborn, and rights in his novels and scriptwriting assignments

10. Extracted letters from legal files for the film Oscar and Lucinda, 1995-1997.
Diary notes for Memoir, 1982.
Correspondence and notes, including letters and email, from Noel Coward, no date; Hal Porter 12 May 1968; and Anthony Page 22-23 Mar. 2004; and photocopy of printed annotations to people's names in Menu Books and Dalton's books, Memoirs and Aunt's Up the Cross.
Two colour photographs of Robin Dalton at Derek Grainger's 9oth birthday party

11. Attendance book of 'Wednesday Club', Le Bon Viveur, London, 28 Jan.-17 Nov. 1948, established by the original members Robin Spencer and Jean Nicol

BOX 3
1. 'Miscellaneous Letters- To and From', 1955-2012. Correspondents include Sybille Bedford, 2004; Barbara Mobbs, 2011; Patrick Gallagher (Allen and Unwin), 2011; Delia Falconer, 2010; Morson Clift, 2004; Lars Schmidt, 2007; William Fairchild (Robin Dalton’s husband), 1955; Hugh Cecil, no date; Virginia Moriconi, 1984; Prince Yuri Galitzine, 1999-2000; Carmen Callil, 2011; Emese Tardy Green , 1985; Selina Hastings, 2010; Tom Best, 2010; Michael Winner, 1972; Garth H. Drabinsky, 1990; George Weidenfeld, 1980, 1983; Allan Campbell Mclean, 1975 and Mark Peploe, 1982; and two letters from Lord Mountbatten and David Milford to Robin Dalton's husband, William Fairchild, 1970

2. 'David Storey', 1975-1976, 2007, correspondence with David Storey

3. Madame Sousatzka', 1987-1988, 2011, correspondence mainly with Joel Michaels (Cineplex Odeon Films) relating to the John Schlesinger film Madam Sousatzka

4. A.N. Wilson', 1977 -1979, correspondence relating to client and writer, A.N. Wilson

5. 'John Osborne', 1973-1982, correspondence with, and relating to, client and writer, John Osborne. Other correspondents include his former agent, Margery Vosper Ltd

6. Jiri Weiss' 1983-1984', correspondence with and relating to client and film director Jiri Weiss, mainly regarding his play, 'The Jewish War'

7. Correspondence with Lester Taube, 1983-1986; Gerry?, 1996; Peter Hall (National Theatre), 1985, Steve Brown (composer), 1983-1985, George Weidenfeld, 1986; Leo Cooper, 1997; John Quigley, 1995-1996

8. 'Ruth Prawar Jhabvala', 1972-1983, correspondence with, and relating to client and writer, Ruth Prawar Jhabvala. Other correspondents include Jenny Sheridan (Robin Dalton Associates)

9. 'Oscar & Lucinda Files', 1996, folder of emails with, and copies of designs and art work by, Luciana Arrighi, with colour photograph

10. 'Petru Popescu - Passion of Eve', 1976-1984, correspondence with and relating to client and screenwriter, Petru Popescu, mainly regarding film treatments, 'Passion of Eve (The House on Princess Street)' and 'Queen Emma'. Other correspondents include James McElroy

11. 'Australian Clients', personal and business correspondence with Dick Austin, 1994; Rosemary Dobson, 2008; Caroline Baum, 2003-2011; Jon Cleary, 1973, 1988; Mitch Mathews (Kanangra Films), 1988-1991; Alec Coppel and related correspondence, 1960, 1970-1975; and typescript of 'Rusty' by Steve J. Spears, outline for a screenplay, 1986

12. 'Fangio - Hugh Hudson', 1970-1974, correspondence relating to production of documentary film on motor racing, Fangio, including correspondence with the director Hugh Hudson and Giovanni Volpi di Misurata

13. Photocopied letters sent to various correspondents; 1987-1988, including film director Hugh Hudson, relating to proposed film 'Homage to Catalonia', based on the novel by George Orwell.
Email with Laurie J. Macdonald, 2010-2011.
Photocopied fax from Robin Dalton to Gillian Armstrong, 5 July 1992, relating to the film Oscar and Lucinda

BOX 4
1. 'Tony Palmer', relating to film director Tony Palmer, including correspondence and photocopied typescript draft of concept IV for 'Shensi', a film presented by Girard Watkinson Corporation, 1985

2. ‘Hal Porter - Eden House', 1969-1977, correspondence with and relating to client, author and playwright, Hal Porter, mainly regarding rights in his play, Eden House

3. ‘Orwell - 1984 (the film)', correspondence relating to film rights to the novel 1984  by George Orwell, including correspondence with Sonia Orwell and Marvin J. Rosenblum and Ron Gant, 1977-1980

4. 'Orwell - "Down and Out in Paris & London"', 1987-1988, relating to proposed film 'Down and Out in Paris and London', including correspondence with Joe Strick and Malcolm Feuerstein, and draft treatment by Feuerstein, 1987.
‘Orwell v. George Orwell Prods. Ltd.', 1977-1979, relating to the proposed formation of George Orwell Productions Ltd.
‘Orwell - 1984 - Film (Potential)', 1979-1982, including correspondence with Mark Hamilton (A.M Heath & Company Ltd) and Marvin J. Rosenblum

5. 'Peter Medak', 1969-1976, no date, correspondence with and relating to . client and film director, Peter Medak, including his film A Day in the Death of Joe Egg (1972), and a copy of his film treatment, 'The Milbrook Operetta'.
'Michael Austin', 1978-1979, correspondence relating to client and screenwriter, Michael Austin.
'Derek Tangye', 1999, correspondence with and relating to client and writer, Derek Tangye.
‘Iris Murdoch', 197- 1982, correspondence with client and author, Iris Murdoch, about her attempts at playwrighting.
'Martin Booth', 1980-1981, correspondence with and relating to client and author, Martin Booth, and film rights  in his novel, The Bad Track (1980).
‘Mark Lucas’, 2003-2005, correspondence with literary agent Mark Lucas relating to, in part, authors, Mia Dolan and Michael Blakemore
'Worzel Gummidge', 1972-1979, relating to film rights in the book Worzel Gummidge by Barbara Euphan Todd, including correspondence with Marc Berlin (London Management) and A.M. Heath & Company Ltd.
'Peter Nicholas - George Orwell - National Theatre', 1972-1973, relating to the Estate of George Orwell commissioning a play based on the writings of Orwell by Peter Nichols. Correspondents include Sonia Orwell, Peter Nichols and Margaret Ramsay Ltd.

6. 'Joan Collins', 1978-1987, correspondence with, and relating to client, actress and author, Joan Collins. Other correspondents include Ron Kass

7. 'Andrea Newman', 1970-1976, correspondence with and relating to and writer, Andrea Newman

8. 'Arnold Wesker', one folder including International Famous Agency Limited files (2), 1971-1974, relating to, and including correspondence with, client and dramatist Arnold Wesker; file on Wesker's play 'Six Sundays in January', 1969-1980, including correspondence with Wesker and Eugene J. O'Sullivan; 2 plastic files of correspondence, 1967-1979; and general file of correspondence with Wesker, 1973-1974	

9. Wesker- France - General', (Robin Dalton Associates file), 1970-1976, relating, in part, to French royalties owing to Wesker

10. 'Wesker- Roots- Peru', 1960-1987, including correspondence with, and photographs of, Wesker relating to rights in his plays and a request to perform his play, Roots, in Peru, 1969; other correspondents include Lars Schmidt, Jill Nizard

BOX 5
1. Folder of further correspondence with and relating to client and playwright, Arnold Wesker, 1963-1980

2. Folder of further correspondence with and relating to client and playwright, Arnold Wesker, 1967-2011, with photocopies of draft works

3. 'Arnold Wesker', correspondence with and relating to client and playwright, Arnold Wesker, 1963-1988

4. 'The Merchant - Canada - Arnold Wesker', 1969-1980, correspondence with and relating to client and playwright, Arnold Wesker', including proposed production, and cancellation, of his play, 'The Merchant', by the Centre Saidye Bronfman, Montreal, 1979-1980

5. 'Arnold Wesker - 1966', correspondence with and relating to client and playwright, Arnold Wesker, and mainly about his screenplay of 'Chips with Everything'

6. 'A. Wesker - General' - 1968-1969-1970, 1968 -1978, mainly personal and business correspondence with client and playwright, Arnold Wesker

7. 'Arnold Wesker- General -1971-1972, 1971-1976', correspondence with and relating to client and playwright, Arnold Wesker, including letter from Sam Wanamaker to Wesker, 17 Aug. 1971

Robin Dalton further papers, 1955-2012

Lost and philosophy : the island has its reasons / edited by Sharon Kaye.

Democracy and the foreigner / Bonnie Honig.

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Robin Dalton further papers, 1955-2012

Export this record

Export record to excel

Lost and philosophy : the island has its reasons / edited by Sharon Kaye.

Export this record

Export record to excel

Democracy and the foreigner / Bonnie Honig.

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