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The butterfly, op. 30 [music] / Mauro Giuliani ; editor Antonio Losada.

Scales [music] / Antonio Losada.

Twenty-five melodious & progressive studies, op. 60 [music] / Matteo Carcassi ; editor Antonio Losada.

Manner dangerous [sound recording] / James Morrison.

1968 -1970;  NLT Productions - Squeeze a Flower - artists' agreements, publicity material and miscellaneous papers (Call No.: MLK 1798)

1968 - 1971;  Wake in Fright - correspondence with Sir Robert Helpmann, artists' agreements, casting papers, master list of extras, financial material, travel and transport information re filming in Broken Hill, progressive shooting schedules and scene breakdowns, accounting codes, preliminary prospectus, publicity material concerning Cannes Film Festival, miscellaneous papers concerning premiere at Embassy Theatre, Sydney, and newspaper cuttings (Call No.: MLK 1799)

1964 - 1971;  Wake in Fright - publicity material, artists' salary vouchers, routine production forms;  The Long Shadow - script by James Workman from a novel by Jon Cleary, correspondence, contract, and costing;  African Adventure - correspondence;  Animal Doctor - miscellaneous papers including costing and artists' agreements;  Anna Russell at Drama - script re-written from 'An Apple for the Teacher, the History of Drama' by Anna Russell and Don Cash, with two scripts of 'An Apple for the Teacher', and costing;  Ask a Policeman - script by Kenneth Cook;  Ball, Kenny - miscellaneous papers;  Barry, Gene -  correspondence;  Beauty and the Beast - ATN Channel 7 - confirmation of engagement slips;  The Bird's Nest - outline;  Buckleys Chance - list of planned episodes, preliminary budget and producers' cash statement;  C. Y. O'Connor - outline of television documentary;  Designing Mob - outline;  Double Your Money - correspondence;  An Evening with John McCormack - script and production details;  Expo'70 - script by Eva von Fiolitz;  The Girl from Peking - miscellaneous papers  (Call No.: MLK 1800)

1967;  Divorce Court - draft and original scripts, occassionally cast and working lists for the following episodes: 67/1, 67/2;  Writer - Marion Dreyer: episodes 67/3, 67/4, 67/5;  Writer - Robert Peach: episodes 67/6-15;  and episodes for Weeks 4-54, written by Robert Peach, Marion Dreyer, Margaret Dunn, Marcia hatfield, Marcia Masson, Harry Woolerton, John Hilton, B. A. Harris, Anne Brooksbank, Ru Pullen, Francis Dunn, J. A. Ford, Deidre Hopkins, J. Huber, Lynn Foster, Jini Brown, Roger Climpson, Julia McNamara  (Call No.: MLK 1801-MLK 1810)

1963 - 1971;  Rolf Harris - correspondence, publicity material and newscuttings;  Here's Dawn - miscellaneous papers and index to series;  His and Hers - correspondence;  The Immigrants - outline;  The Jesus Revolution - miscellaneous papers;  The Last Word - miscellaneous papers;  The Late Show - index to sketches used;  Letter Charades - correspondence and script;  Love in Amsterdam - casting;  Cornel Lumiere - miscellaneous papers;  Peter McDonald - correspondence. Memoirs - outline: a. 'The Story of Sir Charles Kingsford Smith', script by Bob Caskey, b. 'The Durack Family and the Great Cattle Drive,' script by Bob Caskey, c. 'The Story of Sir Robert Menzies', script by Lance Peters, d. 'The Story of Albert Namatjvia', script by Lance Peters, e. 'The Story of John Curtin', script by Lance Peters, f. 'Sir Donald  Bradman', being filming outline;  Sid Melton - correspondence;  Trevor Milburn - correspondence;  Lisa Minnelli - miscellaneous papers;  Mission Hush Hush - outline and script by Marion Dreyer;  Mobil-Limb Show - index to sketches and production;  Moomba Festival - correspondence;  Morrisby Mob - script to episode No.1 (Call No.: MLK 1811)

1966 - 1971;  Moscow Dynamos (soccer) tour - miscellaneous papers and newscuttings;   Moving Target - correspondence;  Musical Merrie-Go-Round - outline and correspondence;  Gordon Mutch - correspondence and production costs re Ourimbah Festival;  The Newcomer - outline (15 copies);  Neva Eder - correspondence and costing;  Northward the Coast - script by Milton Krimo;  Oilman - correspondence;  On the Fiddle - outline, script to episode 1 by Stan Mars;  Open End - correspondence and outline. P.M. - outline (8 copies) and miscellaneous papers;  Paradise Strip -  outline (4 copies);  People and Places - correspondence;  Perth - Peter Bernardos - correspondence;  The Pig and Whistle - outline (13 copies);  Piper in the Market Place - original script and typescript by Kenneth Cook, correspondence, filming sheets and cast lists (Call No.: MLK 1812)

1962 - 1970;  Psychodrama - outline;  Queen Anne and Her Four Kings - miscellaneous papers;  A Question of Sport - outline (2 copies);  The Ray Taylor Show - miscellaneous papers, scripts and schedules;  Return of the Boomerang - artists' agreements, company agreement, procedure instructions etc.;  The Reverend Matthew - outline (9 copies), first draft of pilot episode by Margaret Dunn and correspondence;  Edward Rissien - correspondence;  Rogue Cop, script by Stan Mars;  Ruben Kahrn, script by A. E. Hall;  Sagitarius Productions - correspondence;  Bob Sanders - correspondence;  Say It With Stars - script and costing;  Sheila Scott - miscellaneous papers;  Screen Gems Inc. - correspondence;  Senta Maria Runge - correspondence re Face Lifting by Exercise;  The Shark Arm Murder - outline and synopsis, newscuttings;  Sixteen -  outline and notes;  Something for Nothing - correspondence, outline and synopsis  (Call No.: MLK 1813)

1968 - 1969;  Sound of Music - production reports, Bobby Limb, budgets, Barry Crocker and memoranda;  The Sound Scramble - script;  Speak Up - miscellaneous papers;  Special Squad - outline;  Spotlight - casting;  Star Struck - outline;  Stop, Look and Listen - outline;  Hugh Stuckey - correspondence (Call No.: MLK 1814)

1968 - 1970;  Temptation - miscellaneous papers and outline;  The Thirty Minute Half Hour - outline (2 copies);  Time to Live - outline (5 copies), correspondence;  Tommy Hanlon Show - GTV, correspondence;  Tomorrow's Champions - summary of programmes;  Tonight Show - memoranda;  Perth budget;  Enzo Toppano - correspondence;  Transition - notes and cast list;  Treasure Island - correspondence;  Turn On, Tune In, Drop Out - miscellaneous papers (Call No.: MLK 1815)

1967;  The Unloved - original groundwork and scripts by Marion Dreyer, with scripts for Weeks 1-36 by Margaret Dunn, J. A. Ford, Kit Denton, Lynn Foster, Harry Woolerton, Frances Dunn, B. A. Harris, Marion Dreyer, Alan Cram, David Reiss, Robert Peach and Ru Pullen  (Call No.: MLK 1816-MLK 1821)

1967;  The Unloved - working scripts, recording cue sheets and facilities booking sheets (Call No.: MLK 1822)

1966 - 1971;  Vendetta - script and notes;  The Verdict - costing;  The View from Beyond, script by Don Cash, costing and miscellaneous papers;  Vision of the Immigrant - outline;  Walls - correspondence;  Waltzing Matilda - review and outline;  We Three - miscellaneous papers;  Were You Watching - miscellaneous papers and outline;  What's It All About, Percy ? - outline;  When the Little Light Goes On - synopsis;  Where Are You Going - notes;  T. G. Whitbread - correspondence;  Whodunnit - outline and script;  World Championship Rodeo;  World On My Back - miscellaneous papers and outline;  Would You Believe - publicity material;  Yoga For Health - correspondence and publicity material;  Young Adults Only - outline (4 copies);  Young Australians - miscellaneous papers and outlines  (Call No.: MLK 1823)

1969 - 1970;  The Rovers - daily progress reports, casting, unit list, episode schedule, chart with information on episodes 1-39, cards containing footage information (Call No.: MLK 1824)

1969 - 1970;  The Rovers - budget summary, miscellaneous production papers, newsclippings, publicity material (Call No.: MLK 1825)

1969 - 1970;  The Rovers - dubbing scripts, dubbing cue sheets, notes and continuity sheets for the following episodes: Episode 1: Dangerous Cargo - writer Michael  Wright. Episode 2: Wide Angle Shot - writer Michael Wright. Episode 3: Long Cry of a Bunyip - writer Michael Wright. Episode 4: Bridie Baines - writer Ron Maclean. Episode 5: Pidgeon Post - writer Kenneth Hayles. Episode 6: The Fugitives - writer Michael Wright (Call No.: MLK 1826)

1969 - 1970;  The Rovers - dubbing scripts, dubbing cue sheets, notes and continuity sheets for the following episodes: Episode 7: U.F.O. Pacific. Episode 8: A Lamb and a Handful of Sugar - writer Glyn Davies. Episode 9: The Strangers - writer Kenneth Hayles. Episode 10: Guitar Boy - dubbing script only. Episode 11: Day of the Black Eagle - dubbing script only. Episode 14: Cannon to the Right of Them - dubbing script only. Episode 16: Forget Me Not. Episode 17. The Odyssey of Reginald Peck - writer Ralph Peterson  (Call No.: MLK 1827)

1969 - 1970;  The Rovers - dubbing scripts, dubbing cue sheets, notes and continuity sheets for the following episodes: Episode 18: Crisis. Episode 19: Wright's Peak. Episode 20: Double Exposure. Episode 21: Sittin' Pretty. Episode 31: The Sailor - writer Michael Wright and Ron MacLean. Publicity material (Call No.: MLK 1828)

1969;  Publicity material, correspondence concerning music, notebook referring to prints, miscellaneous material, notebooks referring to master tapes, routine forms and miscellaneous correspondence (Call No.: MLK 1829)

ca. 195-;  Publicity Material - advertising rates file, N.L.T. portfolio (printed), miscellaneous papers including biographies from artist agencies, and theatre programmes annotated mainly re Tivoli Theatre  (Call No.: MLK 1830)

1965 - 1969;  N.L.T. newsletters, newscuttings, business records - address books, petty cash books, accounting books, miscellaneous records (Call No.: MLK 1831)

1965 - 1969;  Business records - bills, receipts, account books, accounts A-Z and accounts B-C and S-T (Call No.: MLK 1832)

1965 - 1969;  Business records - bills and receipts etc.  (Call No.: MLK 1833)
1965 - 1969;  Business records - bills and receipts etc. (Call No.: MLK 1834)
1965 - 1969;  Business records - bills and receipts etc. (Call No.: MLK 1835)
1965 - 1969;  Business records - bills and receipts etc. (Call No.: MLK 1836)
1965 - 1969;  Business records - bills and receipts etc. (Call No.: MLK 1837)

1962 - 1969;  John G. Stephenson & Company file, Insurance file, Commonwealth Trading Bank file, Confidential Report and presentations for STW - Channel 9, complimentary lists, and Leslie Joseph Tinker - correspondence  (Call No.: MLK 1838)

1961 - 1971;  Files concerning Anti-Crime Systems of Australia, newscuttings, telegrams, telexes, outgoing correspondence, legal papers, miscellaneous papers, miscellaneous papers concerning building - 28 Alfred Street, North Sydney, equipment file, accounting notes (Call No.: MLK 1839)

1961 - 1971;  Miscellaneous papers, Aztec Services Pty. Limited - correspondence, cheque butts, tax returns re New Zealand, files re trips (including correspondence), ratings file, television award contracts, Southern Talent - N.L.T. Pty. Limited  (balance sheets and supporting accounts), Memorandum and Articles of Association, standard proof corrections, A-G general  correspondence, personnel files on associate producers, release forms (printed), Chief Secretary's Department - correspondence, advertising book, actors' award file, managers' award file and  musicians' award file (Call No.: MLK 1840)

1964 - 1971;  Minutes of meetings of Executive Board with associated notes, job applications, general correspondence (Call No.: MLK 1841)

1955 - 1969;  Taxed fees and group certificates fees, L. Martin - weekly show production costs, Tivoli Circuit (Australia) Pty. Limited - accounts, Tivoli Artists Corporation Pty. Limited - balance sheets and accounts, hold file, touring data books (Call No.: MLK 1842)

1967 - 1968;  Business records - routine forms, folder of suggestions for programmes, folder of suggestions concerning joint film ventures, correspondence with WBC Productions Inc., correspondence with Benedict Pictures Corporation (Call No.: MLK 1843)

Date unknown;  Squeeze a Flower - preliminary/final budget;  Wake in Fright - preliminary/final budget;  Wake in Fright - costs book;  miscellaneous items relating to 'Anti-Crime', and seating plans of Showground Grandstand   (Call No.: KV 11233 )

1965 - 1966;  N.L.T. Artists - cash books and productions (Call No.: KV 11234 )

1964 - 1967;  Cash books (Call No.: KV 11235 )

1963 - 1967;  Cash books, group certificates and fees (Call No.: KV 11236)

1967 - 1968;  Group certificates and fees (Call No.: KV 11237 )

1966 - 1969;  Group certificates and fees, musicians fees (Call No.: KV 11238 )

1966 - 1969;  Perth fees, cash books, statement of earnings (Call No.: KV 11239 )

1956 - 1966;  Cash books and Lew and Leslie Grade Agency Pty. Limited - ledger sheets (Call No.: KV 11240)

Date unknown;  Gramophone records (GR 198-GR 199) and audio tape recordings (TR 125-TR 129)

N.L.T. Productions Pty. Limited - Records, ca.1955-1971

BOX 10X
2011-2012; The Alexandra Suite. For violins and piano. Composed for Alexandra Loukianova. Various manuscript drafts (pencil and ink).
1984; Australian Baroque (or, Baroque in the 80s). For small mandolin group (2 first mandolins, 2 second mandolins, 2 mandolas, 2 guitars and bass). 1 manuscript full score in ink (enclosed in incomplete draft manuscript score in pencil) and 1 bound photocopy of manuscript full score.
1997; The Bendooley Variations. For first and second mandolin, mandola, guitar and bass guitar. Composed for the Sydney Mandolins. Various incomplete pencil drafts, 1 manuscript score in pencil & ink and photocopied (original version), 1 bound facsimile score from the Australian Music Centre, with master copy, and manuscript parts in pencil & ink and photocopied, with letter to Adrian Hooper dated 26 Aug. 1997.

BOX 11X
2005; Blues in Orange. Trio for flute, clarinet in B flat and piano. 1 manuscript draft in pencil for flute and clarinet, 1 manuscript draft in pencil for flute, clarinet and piano (pp. 4-7), 2 computer scores and 1 set of computer parts for flute and clarinet.
2008; The Boulevard Waltz. For flute, oboe and string quartet. Commissioned by Fr Arthur Bridge for Ars Musica Australis for the composer’s 70th Birthday. Early draft ideas in pencil ‘Paris comes to Penrith – Boulevard Waltz’, 1 manuscript score in pencil and ink, 2 photocopies of manuscript score with pencil additions, clear book containing 1 corrected computer score with piano added and 1 final computer score for flute, oboe, string quartet and piano, 1 computer piano part, 1 corrected computer score and 1 final computer score of version for flute, oboe and string quartet.
2008; Cool Valley. For flute/alto flute, oboe and string quartet. Commissioned by Fr Arthur Bridge for Ars Musica Australis for the composer’s 70th Birthday. Rough manuscript sketches in pencil, 4 draft versions of the computer score with manuscript annotations, 1 computer score and 1 set of computer parts, with copy of letter from Ann Carr-Boyd to Dr Arthur Bridge, 1 May 2008.
1999; Cranbrook Ragtime. For guitar quartet. Manuscript drafts in pencil, 1 computer score with pencil annotations, 1 manuscript score of piano version (incomplete), 1 fax to Chris Keane at Cranbrook School, 21 November 1999, and 1 brochure for Guitar Summer School January 2000 at Cranbrook School.
1978; Dance for strings. For violins I-III and piano. 1 photocopy of manuscript score (in scrapbook), 1 bound facsimile score from the Australian Music Centre, 1 bound computer score for violins I-III, violoncello and piano, and 1 set of computer parts.
1982; Fandango. For mandolin group (2 first mandolins, 2 second mandolins, 2 mandolas, 2 guitars and bass). 1 bound printed score (produced by Carlisle Print, Glenorie).
1998; Fandango, arranged by Adrian Hooper. For 2 mandolins, mandola, guitar and bass guitar. 1 bound computer score.
1993; Fantastic dance IV. For mandolin quartet. Commissioned by Adrian Hooper for the Sydney Mandolin Quartet. 1 manuscript score and manuscript parts in ink, manuscript notes about the work and 1 photocopy of facsimile score from the Australian Music Centre.

BOX 12X
1990; Fantasy for organ, mandolins and chamber ensemble. 1 computer score and 1 set of computer parts, typeset by Robert Schulz, with concert programme from Fremantle Heritage Festival, 2002.
2008; Fluffy boy. For two violins and viola. 1 manuscript draft in pencil (incomplete), 1 computer score and 1 set of computer parts.
1984; God rest ye merry gentlemen, arranged by Ann Carr-Boyd for flute, 2 guitars, violoncello and bass. Marimba/vibraphone part added in 1985. 1 set of manuscript parts (some original, some photocopies).
2002, 2006; Grasstree Hill. Arrangement by the composer for harp and strings, from the original piano piece. 1 computer score and 1 published score and parts (Publications by Wirripang, Wollongong, 2006), together with 1 computer score of piano solo and 1 published score of piano solo (Grevillea Editions, NSW).
1993, 2011; Interlude and foxtrot. For mandolin quartet. Commissioned by Adrian Hooper. 1 computer score and 1 published score and parts (Publications by Wirripang, Wollongong, 2011).
2005; Julian turns night into day (originally called Blues in Orange). Trio for flute, clarinet and piano. 1 computer score and computer parts for flute and clarinet.
2010; Land of the long white cloud. For mandolin orchestra. Manuscript drafts in pencil and email correspondence with Bryan Holden.
1981, 2009; Mandolin music. For 2 first mandolins, 2 second mandolins, 2 mandolas, 2 guitars and bass. Commissioned by Adrian Hooper for the Sydney Mandolins. 1 photocopy of manuscript score, 1 bound printed score (produced by Carlisle Print, Glenorie) and rehearsal notes from London Mandolin Festival, 2010 (typed and manuscript).
1996; Mandolin piece: theme and variations. 1 manuscript sketch in pencil.
1999; The millennium rag. For guitar orchestra. Commissioned by Cranbrook School. 1 computer score and 1 set of computer parts, edited by Christopher Keane, and 1 score and parts published in album 'Millennium moods' (Fretful Music).
1991; Moonscape remembered. For violin, violoncello and piano. Composed for the farewell concert for Eric Gross on the occasion of his retirement from the Department of Music, University of Sydney. 1 manuscript score in ink.
1986, 2000, 2005; Music for an imaginary Italian film. For mandolin ensemble. Commissioned by the Federation of Australian Mandolin Ensembles. 1 manuscript draft score in pencil (incomplete), 1 bound printed score with optional part for piano accordion (produced by Carlisle Print, Glenorie), 1 annotated computer score and 2 computer parts for piano accordion (added in 2000), with cover letter from Ann Carr-Boyd to Isabel Eccles, 1 computer score and set of parts typeset by Robert Schulz in 2005, with cover letter from Robert Schulz to Ann Carr-Boyd.

BOX 13X
1982; Music for Sunday. For flute, violin and harpsichord. Composed for the Nuclear Trio, commissioned for the Women in Arts Festival. Manuscript parts for flute and violin (photocopies, with pencil annotations) and 1 bound photocopy of manuscript score.
2009; Rag for Razz. Arranged for mandolin ensemble. 1 bound printed score (produced by Carlisle Print, Glenorie).
2009; Rag for Razz. Arranged for mandolin orchestra. 1 published score and parts (Australian Mandolin Music Association Inc., Perth) with 1 letter from the publisher, 11 November 2009, and 1 computer score (different typesetting).
2007, 2008; The Razz Suite. Six instrumental vignettes for oboe, violin and string quartet. Manuscript drafts in pencil, 1 clear book with computer printouts and also including computer score for Suite for Solo Mandolin with corrections by Adrian Hooper and email correspondence with Geoffrey Barber and Stefanie Rauch (who gave the premiere in March 2008 in Germany), 1 published score and 1 set of published parts (Publications by Wirripang, Wollongong).
2012; The Razz Suite II. For string quartet. 1 published score and 1 set of published parts (Publications by Wirripang, Wollongong).
1964; String quartet no.1. 1 set of manuscript parts (violin 2 and viola parts copied in 1989).
1967; String quartet no.2. 1 set of manuscript parts.

BOX 14X
1994, 1995; Suite in Orange. For flute, viola and double bass. 1 manuscript draft score in pencil, 1 manuscript score in pencil (incomplete: missing 2nd movement), 1 manuscript score in ink of 3rd movement: West wind (revised version, 1995), 1 set of manuscript parts, and 1 set of photocopied manuscript parts with performers' annotations, 1 bound facsimile score from the Australian Music Centre and set of bound parts for 1st and 2nd movements, 1 computer score typeset in 2011 by Stephen Bydder, Carlisle Print, with email correspondence regarding corrections and alterations.
1984, 1985; The three drovers. Arrangement of Wheeler/James carol for flute, 2 guitars, violoncello and bass. 1 set of manuscript parts, including vibraphone part added in 1985 (some original, some photocopies).
1992; Three fantastic dances: Parts I, II and III. For mandolin 1/banjo, mandolin 2, mandola and guitar. 1 set of manuscript parts (some original, some photocopies).
1995; Two Australian scenes: 1. Peter's blues, 2. Murray River. Composed for Cranbrook Guitar Ensemble. 1 bound computer score and parts with pencil annotations, edited by C. J. Keane, 1 score and parts published in album 'Images' (Fretful Music, Bondi Junction) and copies of faxes to Christopher Keane and Robert Allworth, dated 9 April 1996.
2001; Two themes with variations for double wind quintet. 1 bound computer score and parts, typeset by Linda Kirkpatrick. Score is signed by the performers.
1988; Whitsunday moon. For 2 recorders and piano. 1 score published in album 'A collection of contemporary Australian compositions: music for young people' (Queensland Chapter of Australian Society for Music Education), with letter from publishing editor, John Danrell, dated 7 June 1990.
1965; Untitled work for flute, clarinet, horn, violin and piano. 1 manuscript draft score in pencil, 1 manuscript score in ink, manuscript parts in ink (missing piano part), and 2 photocopies of manuscript score (1 with manuscript annotations).

Sub-series 2: Chamber music by Ann Carr-Boyd

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The butterfly, op. 30 [music] / Mauro Giuliani ; editor Antonio Losada.

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Scales [music] / Antonio Losada.

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Twenty-five melodious & progressive studies, op. 60 [music] / Matteo Carcassi ; editor Antonio Losada.

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Manner dangerous [sound recording] / James Morrison.

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N.L.T. Productions Pty. Limited - Records, ca.1955-1971

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Sub-series 2: Chamber music by Ann Carr-Boyd

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The butterfly, op. 30 [music] / Mauro Giuliani ; editor Antonio Losada.

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Scales [music] / Antonio Losada.

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Twenty-five melodious & progressive studies, op. 60 [music] / Matteo Carcassi ; editor Antonio Losada.

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Manner dangerous [sound recording] / James Morrison.

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N.L.T. Productions Pty. Limited - Records, ca.1955-1971

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Sub-series 2: Chamber music by Ann Carr-Boyd

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