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The Reformation / Owen Chadwick.

LODDON FALLS
1.	Loddon Falls, undated
“Loddon Falls, Thirroul” – verso
Post card, sepia toned
2.	Loddon Falls, undated
Photograph, sepia toned

LOGAN
3.	Logan, Qld. – Shops, etc. – James McMillan, 1873
Clipping
From: Queenslander, 15 December 1932

LONDON
4.	London – Churches – St. Clement Danes, 1817 / engraved by T. Higham from a drawing by W. Morland for the Walks through London
“St. Clement Dane’s Church, Strand” – caption
Engraving
Published by w. Clarke, 1 March 1817
5.	London – Hotels, undated
“The Robin Hood, Botany Bay, near Enfield, near London”, signed “James Watson” - verso
Photograph, sepia toned
6.	London – Libraries – British Museum, 1920
“London, British Museum, Reading Room” – caption
Post card, sepia toned
7.	London – Theatres – Little Theatre, Haymarket, 1720+ / Geo Jones del.; I. Stow sculp.
“Interior of the Little Theatre, Haymarket” – caption
Photograph, black and white, of an engraving

LONGREACH
8.	Longreach, Qld. – Shops, offices & factories – Original Qantas office, 1961 / Sali Herman
“Lot 452”
Print, black and white, of an oil painting
 
LORD HOWE ISLAND
9.	Lord Howe Island, c. 1900
“Lord Howe Is. Showing mountains covered by clouds” – inscribed on verso
Post card, sepia toned
10.	Lord Howe Island, c. 1900
“Stevens’ Point, Ld Howe Island” – below photograph
Post card, black and white
11.	Lord Howe Island, 1953
Clipping on 3 pages
From: Port of Sydney Journal, July 1953

LORNE
12.	Lorne, Vic., c. 1890
“Phantom Falls” – verso
Photograph, sepia toned
13.	Lorne, Vic., undated
Photograph, sepia toned

LOUISIADE ARCHIPELAGO
14.	Louisiade Archipelago, 1849
“Scene in the Louisiade Archipelago” / by Thomas Henry Huxley
Original in the National Library of Australia, Canberra
Clipping
From: The National Bank of Australasia Ltd. Calendar, 1963
15.	Louisiade Archipelago, 1849
“Village at Chaumoht Island, Louisiade Archipelago” / by Captain Owen Stanley
Original in the Mitchell Library, Sydney, at DL Pd 395
Clipping
From: The National Bank of Australasia Ltd. Calendar, 1963

LOVETT, PORT CYGNET
16.	Lovett, Port Cygnet, undated / Beattie Studios, Hobart
“Lovett, from E. Port Cygnet”
Post card, sepia toned

LOVETT BAY, PITTWATER
17.	Lovett Bay, Pittwater, undated, post card no. 1
Post card, sepia toned
18.	Lovett Bay, Pittwater, undated, post card no. 2
Post card, sepia toned

LOYALTY ISLANDS
19 - 21	Loyalty Islands – Ethnology, undated
Folder with 3 pages of photographs and post cards
All pictures numbered and most described on their verso
19.	Loyalty Islands – Ethnology, undated
1. “Chef de tribu de l’île Lifou (Loyalty)” = Chieftain of Lifou (Loyalty) 2. & 3.  “Canaque d’Ouvéa (îles Loyalty)” = Kanak from Ouvéa (Loyalty Islands) 4.” Jeune femme de Maré (îles Loyalty)” = Young woman from Maré (Loyalty Islands)
4 photographs, cartes de visite, sepia toned
20.	Loyalty Islands – Ethnology, undated
5. “Domestique canaque au service d’un Européen” = Kanak maid in the service of a European 6. “Indigène de Maré (îles Loyalty)” – Indigenous man from Maré, Loyalty Islands 7. “Femmes de Lifou (îles Loyalty) années de casse-tête” = Women from LIfou (Loyalty Islands) … [?]
3 photographs, cartes de visite, sepia toned
21.	Loyalty Islands – Ethnology, undated
8. “Indigènes de Lifou, Loyalty Is.” = Indigenous people from Lifou, Loyalty Islands 9. “Nouvelle-Calédonie – Dumbéa – Groupe Indigène Maré” = New Caledonia – Dumbéa – Indigenous group from Maré
1 post card, black and white; 1 post card, sepia toned

LUNG OIL PLANTS
22.	Lung Oil Plants, undated
Photograph

LYRE BIRD
23.	Lyre bird, 1802
“A lyre-bird” / by Sydenham Edwards, signed and dated 1802
Stamped “J.S. Maas & Co. Ltd., … London” on verso
Photograph, black and white, of a pen, ink and watercolour drawing
For sale at Sotheby’s 19 December 1962, Lot 321
24.	Lyre bird, undated / painting by C.F. Linaker
“Australia’s wonder bird – the Lyre bird” - caption
Print, coloured

LYTTLETON
25.	Lyttleton, undated
Photograph, sepia toned

MACDONALD RIVER
26.	Macdonald River, N.S.W., 1840
“The Valley of the Macdonald from the road beyond Wiseman’s Ferry” / by Conrad Martens
Print, coloured
Offered at Christie’s, 6 March 1970, Lot 22
27 - 28	Macdonald River, N.S.W., 1881
Folder with 2 pages of black and white photographs
27.	Macdonald River, N.S.W., 1881 
1. “Mouth of the Macdonald River N.S.W.”  - caption 
Original available at PXA 450, No. 19
Negative available at ONCY 57 : 19
2. “Macdonald River” - caption 
Original available at PXA 450, No. 21
Negative available at ONCY 57 : 21
2 photographs, black and white
28.	Macdonald River, N.S.W., 1881
“Macdonald River” – caption
Original available at PXA 450, No. 23
Negative available at ONCY 57 : 23
Photograph, black and white
29.	Macdonald River, N.S.W., undated
“The Macdonald River from above Wiseman Ferry” / by Conrad Martens
Print, black and white

MOUNT MACEDON
30.	Mount Macedon, Vic., undated
“Waterfall, Mount Macedon” - caption
Print, black and white
31.	Mount Macedon, Vic., undated
“Looking down the valley. Distant View of Mount Macedon. Mountain Road” caption
Print, black and white

MACLAY, NIKOLAUS DE MIKLOUHO
32.	Nikolaus de Miklouho Maclay (artist), undated
Photograph, black and white, of a pencil sketch
Original at: A 2889 vol. 2, Pt 5/4d

MACLEAY RIVER
33.	Macleay River, N.S.W., undated / Kerry
Print, black and white
34.	Macleay River, N.S.W. – Wharves, undated
“Macleay River, North Coast S.S. Wharf, Central Kempsey, S.S. Burrawong (Sydney), S.S. Pelican [?], … S.S. Badon …” – verso
Photograph, sepia toned

MACQUARIE HARBOUR
35.	Macquarie Harbour, Tas., c. 1826 – 1831
Print, coloured
Christie’s (South Kensington) Topographical Pictures, 28 May 1987
36.	Macquarie Harbour, Tas., undated
Top: Vue d’Elizabeth Town (Tasmanie) Bottom: Le Havre, Macquarie
Print, black and white
From: Voyage pittoresque autour du monde [picture] / [Jules-Sébastien-César Dumont d'Urville]. Tom 2, Pl. XLI
37.	Macquarie Harbour, Tas., undated, photograph no. 1
Photograph, black and white
Original photograph is in the National Library of Australia, 1962
38.	Macquarie Harbour, Tas., undated, photograph no. 2
Photograph, black and white
Original photograph is in the National Library of Australia, 1962
39.	Macquarie Harbour, Tas., undated / Beattie, Photographer, Hobart
“The Grummet Rock, with convicts rafting pine logs” - caption
Clipping
40.	Macquarie Harbour, Tas., undated / Beattie, Photographer, Hobart
“Hell’s Gates, Macquarie Harbour” - caption
Clipping

MACQUARIE, LACHLAN
41 - 50	Lachlan Macquarie – Relics, undated
10 pages of black and white photographs
41.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (i)
42.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (ii)
43.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (iii)
44.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (iv)
45.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (v)
46.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (vi)
47.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (vii)
48.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (viii)
49.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (ix)
50.	Lachlan Macquarie – Relics, undated
Photograph, black and white
Negative available at FM2 / 1992, LR 44 (detail) (x)

MACQUARIE PLAINS
51.	Macquarie Plains, Tasmania, undated / Beattie Studios, Hobart
Post card, black and white

MAGELLAN, STRAIT OF
52.	Strait of Magellan, undated
“Découverte du Détroit de Magellan …”= Discovery of the Strait of Magellan
Engraving

MAGILL
53.	Magill, S.A., undated
Photograph, black and white

MAGNETIC ISLAND
54.	Magnetic Island, undated
“Horseshoe Bay, Magnetic Is’d, Townsville, N.Q.” – caption
Print, coloured

MAGNI
55.	Magni (artist), undated / London Stereoscopic Comp.
“The reading girl” / by Magni
“International Exhibition” – below photograph
Photograph, carte de visite, sepia toned of a sculpture

MAITLAND
56.	Maitland, N.S.W., 1853 / Sands & Kenny, Sydney & Melbourne
“View of East Maitland” 
Signed in bottom right corner “WL Manning” [?]
Photograph of letterhead from “Terry’s landscape scenery”, plate no. 12 (not from Mitchell Library’s set). 
Photograph, sepia toned
57.	Maitland, N.S.W., 1853 / Sands & Kenny, Sydney & Melbourne 
1. New Bridge West Maitland (Negative available at FM1 / 5236
Photograph of letterhead from “Terry’s landscape scenery”, plate no. 6 (not from Mitchell Library’s set). 
2. View of West Maitland from the Hunter
Photograph of letterhead from “Terry’s landscape scenery”, plate no. 13 (not from Mitchell Library’s set). 
Both signed in bottom right corner “WL Manning” [?]
2 photographs, sepia toned
58.	Maitland, N.S.W. – Churches – Catholic Church, undated
“St John’s Roman Catholic Church West Maitland. Respectfully dedicated to the Rev’d Dean Lynch by the Publisher William Baker” – below picture
1 drawing of [the priest?] and 1 drawing of the outside of the church
59.	Maitland, N.S.W. – Churches – St. John’s, West Maitland, undated
Print, black and white
60.	Maitland, N.S.W. – Floods, 1893 / Moss Photo, West Maitland
Photograph, sepia toned
Reproduced in: Memento of Maitland floods, March 1893, May 1913 : 24 views. [Maitland, N.S.W. : s.n., 1913?] (Maitland : T. Dimmock)
61.	Maitland, N.S.W. – Hotels – Australian Hotel, undated
Photograph of handwritten notes of the history of the hotel from 1847 – 1857 on verso
Photograph, black and white, of the hotel
62.	Maitland, N.S.W. – Residences, 1926/ Elite Printing Works, Cessnock
“Cottage (reroofed) West Maitland. Said to be the birthplace of Thunderbolt” – verso
Photographed 18/2/26 - verso
Photograph, sepia toned
63.	Maitland, N.S.W. – Streets – High Street, 1906 / T. Dimmock, Publisher, Maitland
“Winds like the Hunter R[iver]” – inscribed below picture
Print, black and white
64.	Maitland, N.S.W. – Streets – Melbourne Street, undated / T. Dimmock, Publisher, Maitland
Letter on verso
Post card, black and white
65.	Maitland, N.S.W. – Water supply – Walka Pumping Station, undated / print by D.L. Hilder Pty. Ltd.
“Chichester Dam – Pump house at Walka Pumping Station, Maitland” - verso
Photograph, black and white

MAKETU, NEW ZEALAND
66.	Maketu, New Zealand, 1868
Post Office, Maketu
Photograph, black and white, of a drawing
George Carrick Steet papers, 1840-1910 MLMSS 318, item 1a, p. 23b

MANILA, PHILIPPINES
67.	Manila, Philippines – Churches – Augustinian Church, undated
“Impressive entrance to San Agustin, oldest church in The Philippines …” – below picture
Clipping

MANILLA
68 - 70	Manilla, N.S.W., undated
Folder with 3 pages of black and white clippings of pictures
68.	Manilla, N.S.W., undated
1. “Mrs. Veness, The Oldest Inhabitant of Manilla” 2. William Cobley’s Royal Hotel” 3. “T.J. Arneil’s Imperial Hotel, Manilla” 4. “H. Baker’s Engineering Works” 5. [untitled] Pictured Harcourt & Glover’s store
5 pictures, black and white, on 1 page
69.	Manilla, N.S.W., undated
6. “A view of Durham Court. From the spot where Mr. Otto Baldwin erected his first residence 80 years ago” 7. “Namoi River frontage to Block 42” 8. “The wedding of Mr. Russell and Miss M. Baldwin at Durham Court, Manilla, September 4, 1901”
3 pictures, black and white, on 1 page
70.	Manilla, N.S.W., undated
“In Manilla’s business quarter” – caption
9. “Manilla “Express” office, C. Vincent, proprietor” 10. A.C. Veness, Auctioneer and Commission Agent”
2 pictures, black and white

MANNING RIVER
71.	Manning River, N.S.W., c. 1900?
“Upper Manning River, c. 1900?” – verso
Photograph, sepia toned
72.	Manning River, N.S.W., undated
“Near Taree” – verso
Photograph, sepia toned

MAORIS
73.	Maoris, undated
Photograph, sepia toned
74.	Maoris, undated
“A Maori princess Maoris, undated
Clipping
75.	Maoris, undated
“Mohi, Maori chief”
Clipping
76.	Maoris, undated
Print, black and white
77.	Maoris, undated
“Maori woman, N.Z.” – verso
“Extracted from album … of views of countries visited presumably by J. McDakin Clench (whose ticket was in the album) on a world tour begun … leaving London 5 April 1895 for Albany, W.A.” – verso
Photograph, sepia toned

MAP EXHIBITION
78.	Map exhibition, 1959
“Map exhibition, January 1959. D.J.’s Galleries” - verso
Photograph, black and white

MAPS
79.	Maps – N.S.W. – 180, 1898? / Audio Visual Activities (Aust.) Pty. Ltd., Sydney
“Plan of the town of Sydney in New South Wales” – caption
Photograph, black and white
From: Hist. Rec. NSW vol. 6, p. 366, 1898

MARANOA RIVER
80.	Maranoa River, Qld., undated
“Railway Bridge, Maranoa River”
Post card, black and white

MARIA ISLAND
81.	Maria Island, Tas., undated
“Maria Island, Tasmania” / by John Skinner Prout
“Lot 154”
Print, coloured
82	Lake Marion, S.A., undated
“Mt. Gould, Lake Marion” – verso
Post card, black and white
83.	Marrangaroo, N.S.W., undated / photograph by Lithgow Studios
“Railway viaduct over Middle River, Marrangaroo”
Post card, black and white

MARQUESANS
84.	Marquesans, undated
“Marquesas Islands – Ethnology” – caption
“Marquesas : portrait of an islander / presumably by W. Hodges”
Print, black and white
Original in private possession
Offered at Sotheby’s 10 November 1965

MARSDEN, S.
85.	Rev. Samuel Marsden, undated
“The building in Farsley, Yorks[hire] to which the first barrels of wool taken to England by the Rev. Samuel Marsden …” - verso
Photograph, black and white
86.	Rev. Samuel Marsden – Residence, undated
“Second Parsonage, Parramatta” – verso
Similar watercolour in Mitchell Library at V1B / Parr / 13
Photograph, black and white

MARSHALL ISLANDS
87.	Marshall Islands, undated
Photograph, sepia toned, of 5 drawings

MARTENS, C.
88.	Conrad Martens (artist), c. 1835
Elizabeth Bay House, residence, Sydney
Xerox copy, black and white, from C971
89.	Conrad Martens (artist), 1848
“View near Sydney” / by Conrad Martens
Print, black and white
Offered Leonard Joel, 9 November 1973, Lot 54
90.	Conrad Martens (artist), 1950
Clipping on 5 pages, includes 6 coloured plates
From: Geographical Magazine, London, November 1950
91.	Conrad Martens (artist), undated
“Franklin Vale Homestead” / by Conrad Martens
Photograph, coloured
Notes re Henry Mort who resided at Franklyn Vale are at PXn 330
3 other views in slide form are at FM5 / 678-680
92.	Conrad Martens (artist), undated
“Franklin Vale Homestead” / by Conrad Martens
Photograph, coloured
Notes re Henry Mort who resided at Franklyn Vale are at PXn 330
3 other views in slide form are at FM5 / 678-680
93.	Conrad Martens (artist), undated, set no. 1
Photograph, black and white, of two drawings 
94.	Conrad Martens (artist), undated, set no. 2
Photograph, black and white, of two drawings 
95.	Conrad Martens (artist), undated, set no. 3
Photograph, black and white, of two drawings 
96.	Conrad Martens (artist), undated, set no. 4
Photograph, black and white, of four drawings 
97.	Conrad Martens (artist), undated
Photograph, black and white, of a drawing 

MARULAN
98.	Marulan – Residences, 1929
“The Old Barn, Marulan. 19/12/29” inscribed at bottom of photograph
Letter on verso addressed to Mr Willingham from A. Brooks
Post card, black and white

MARYSVILLE
99.	Marysville, Vic., undated
“Marysville, near Melbourne, Victoria” / by Beatrice Boldeman
Photograph, black and white, of a drawing
Sotheby’s Sale, 1 November 1973 (T.E. Donne collection), Lot 99

MATUPI CRATER
100.	Matupi Crater, Rabaul, 1937 / photograph by Grace Evans, Rabual, New Guinea
“Before and After – 1”
“Matupi Crater before the eruption in May 1937. Thought to be quite extinct, the Government built the Health Laboratory on the edge of Matupi Bay” - verso
Photograph, black and white
101.	Matupi Crater, Rabaul, 1937 / photograph by Grace Evans, Rabual, New Guinea
“Before and After – 2”
“Matupi Crater after the eruption in May 1937. Mud and pumice ash have broken down all vegetation” - verso
Photograph, black and white

MAY, P.
102.	Phil May (artist)
2 prints, black and white, of sketches, on 2 pages
Sketches from Punch, London, 1903

Box 28: Subject and place file, Loddon Falls to May, ca. 1720 to 1959

A grangerised volume of James Wallis' ‘An Historical account of the colony of New South Wales...'. London : Printed For R. Ackermann, Repository Of Arts, Strand, by J. Moyes, Greville Street, 1821.  It includes original drawings, watercolours, and collages by James Wallis and Joseph Lycett including views, portraits of Aboriginal people, botanical, and natural history illustrations.

The cover is marbleised boards, with black leather spine and corners, gilt decoration; titled 'New South Wales’ in gilt lettering on spine.  

FRONT COVER
Three hand-coloured engravings, laid down, of a pair of kangaroos; pair of black swans; and platypus.
With the exception of the platypus, the cover images are from Wallis’ ‘Australian Views...' (1820) and 'An Historical Account of the colony of New South Wales...’ (1821). 

FRONT ENDPAPERS
Four pen and ink drawings, possibly created using a Camera Lucida, laid down on endpapers.

Pastedown endpaper:
[Top] 
[View of twin waterfalls and wooded landscape], 25th July 1818 / [probably by James Wallis after G.W. Evans].
Relates to plate ‘Bathurst’s Falls, Drawn by Major Taylor from a Sketch by Mr. Evans’, in John Oxley’s ‘Journals of Two Expeditions into the Interior of New South Wales, undertaken by Order of the British Government in the Years 1817-1818’. London: John Murray, 1820, between pp. 300-301.  The plates in Oxley’s 'Journals …' are believed to be after drawings made by G.W. Evans, and prepared for publication by Major Taylor.
 
[Bottom] 
West Prospect from View Hill, Interior N. Holland, August 27th 1818 / [probably by James Wallis after G.W. Evans].  

Paste-down endpaper includes binder’s label at top left inscribed `John Mylrea / Bookseller Stationer & / Bookbinder / Duke Street Douglas’.

Free endpaper:
[Top] 
East View of Arbuthnots Range, Interior N. Holland, July 16th 1818 / [probably by James Wallis after G.W. Evans].
Relates to Arbuthnot's Range, the Acacia Pendula in the foreground, New South Wales, 1824 (SV1B / Arb Ra / 1).

[Bottom] 
South West Prospect from View Hill, interior New South Wales, August 28th 1818 / [probably by James Wallis after G.W. Evans].
Relates to plate `Liverpool Plains. West Prospect from View Hill, Drawn by Major Taylor from a Sketch by Mr. Evans’, in Oxley’s ‘Journals…’ (1820), between pp. 274-275. 

FRONT FLYLEAVES (10 pages)
Three pen and ink drawings, possibly created using a Camera Lucida ; one engraving; and twenty mainly natural history watercolour and collage drawings.  Laid down on flyleaves.

[1a.] Cascade interior N. Holland, July 17th 1818 / [probably by James Wallis after G.W. Evans] 
Pen and ink drawing

[1b.] Port Macquarie N. Holland, October 11th 1818 / [probably by James Wallis after G.W. Evans]
Pen and ink drawing

[2a.] View of Newcastle. New South Wales / Engrav'd by W. Preston from a Drawing by Captn. Wallis, 46th Regt.
Engraving
Not included in either the Sydney or London editions of Wallis’ volume of engravings.

[2b.] Wallis Lake near Cape Hawke, N. Holland, October 27th 1818 / [probably by James Wallis after G.W. Evans]
Pen and ink drawing

[3a.] Patersonia Species / by Joseph Lycett
Watercolour

[3b.] Stiledia Gracilus N. South Wales / by Joseph Lycett
Watercolour and collage
Includes inscription in the hand of Wallis ‘Philedia Glasisi, N. South Wales’ and `Simply to be with those whom we love is sufficient. For whether our minds are wandering from them or whether we are talking with them or not talking with them, thinking of them or of indifferent objects, so long as we are with them we are satisfied...[illegible]’.

[3c.] Baurea Species / by Joseph Lycett
Watercolour

[3d.] [Untitled botanical drawing] / by Joseph Lycett
Watercolour

Inscribed in pencil below items 3a-3d. `The flowers by Lycatt [sic] a Convict’.

[4a.] Native Coherry, [obscured] Hunters River N.S. Wales
Watercolour and collage

[4b.] Native Rose, New South Wales, Borronea Serrulata / Lycett
Watercolour and collage

[4c.] [Untitled drawing of a hawk]
Watercolour and collage

[5.] Eight mostly untitled watercolour drawings, some with collage, including two titled : 'Hypericum species’ and `Polygala Species’.

[6.] [Untitled drawing possibly of a Magpie Goose]
Watercolour 

[7.] 2 Natives of New South Wales. Dick killed Burigon one day with one [underlined] blow.
Titled below drawings and inscription in ink in Wallis' hand.
Portrait drawings of the Awabakal brothers. At top is pencil portrait titled 'Burigon or Jack' showing right profile.  At bottom is watercolour portrait titled 'Dick', showing head and upper torso.  
Portraits flanked by two botanical drawings titled `Tetrabatica’ and `Zeianthimum’. Watercolour and collage
Inscribed below drawings in ink in Wallis’ hand 'Nature in a sportive Humour or a contrast between Animal and vegetable Life in New South Wales the former hideous disgusting and barbarous, the latter graceful modest and gratifying to the senses, the Aborigines of N. South Wales are the most perfect Savages in existence. The wild flowers exceed in beauty and variety those of any other parts of the world, from the gigantic Lilly, towering twelve feet from its root, to the modest violet’.
Relates to the manuscript folio describing Dick and Burigon at PXD 1008 / vol 1. 

[8.] [Giant Swamp Lily]
Watercolour

[9.] The Fish of New South Wales / [drawn by Joseph Lycett]
Watercolour and collage
Shows ten freshly caught fish. 
Some species identified by inscription in black ink below fish,  including 'Taylor'; 'Soldier'; 'Rock Cod'; 'Bull Rout'; 'Old Wife'; 'John Dory'; 'Fortescue'; and some others.
Relates to fish panels on the two Newcastle Collector’s Chests at DG R4 and XR 69. 

[10.] Blandfordia Nobilis / [drawn by Joseph Lycett]
Watercolour

PUBLISHED TEXTBLOCK
'An Historical account of the colony of New South Wales...'  London: Printed For R. Ackermann, Repository Of Arts, Strand, by J. Moyes, Greville Street, 1821. 
[i-vi] pp. 2-42 [p. 43], followed by twelve published engravings.

Title page inscribed in ink `Mary Ann Wallis / The Gift of her dear Husband / Major James Wallis / late of H.M. 46th Regt. / Prestbury / May 1857’ (at top right); and, in a different hand, ‘This Book presented to her / Nephew Lt Colonel A. Taylor / by his Aunt Mary Ann Wallis / 10th Febry 1866’ (at top left).  
Alexander Taylor was the son of Wallis’ sister, Ann (b. ca. 1796) and her husband Alexander Taylor.

Dedication page, `To The Public’, includes two pen and ink drawings, laid down, titled :
[Top]
`View of Part of Newcastle, N. S. Wales’  - relates to the first group of paintings in the two Newcastle Collector's Chests depicting Newcastle with Christ Church, and a pair of pelicans (DG R4 and XR 69)

[Bottom]
`View on Throsby’s Creek, near Newcastle, N. S. Wales.’ (bottom) - relates to the first group of paintings in the Newcastle Collector's Chests depicting Newcastle with Christ Church, and a pair of egrets (DG R4 and XR 69).

Twelve published engravings:

II. A View of the Cove and Part of Sydney. New South Wales. Taken from Dawe's Battery / Engrav'd by W. Prefton [sic] from an Original Drawing by Capt. Wallis. 46th Regt. (on double page).

I. A View of Hawkesbury. and the Blue Mountains. New South Wales / Engrav'd by W. Prefton [sic] from an Original Drawing by Capt. Wallis. 46th Regt. (on double page).

III. Sydney. from the North Shore New South Wales / Engrav'd by W. Preston from a Drawing by Capt. Wallis. 46th Regt. (on double page).

IV. Sydney. from Bennelongs Point New South Wales / Engrav'd by W. Preston from a Drawing by Capt. Wallis. 46th Regt. (on double page).

V. Newcastle. Hunter's River. New South Wales / Engrav'd by W. Prefton [sic] from a Drawing by Capt. Wallis. 46th Regt. (on double page).
Annotated in ink, in the same hand as the inscription top left title page, with `X’ in the margin adjacent to the church with the legend ‘X This Church was built by Major James Wallis 46th Regt.’; and 'X’ below the grass tree with the legend ‘X The Grass tree’.  

VI. Corrobborree Or Dance of the Natives of New South Wales. New Holland / W. Preston Sculp. (on double page).

VII. Black Swans. of New South Wales. View on Reed's Mistake River, N.S.W. / Preston Sculp.. 

VIII. Kangaroos. of New South Wales. View from Seven Mile Hill near Newcastle, N.S.W. / Prefton [sic]. Sc..

IX. View of Hunter’s River. Newcastle. New South Wales / Engrav'd by W. Preston from a Drawing by Capt. Wallis. 46th Regt..

X. North and South Head's in Port Jackson. New South Wales / W. Preston Sculp. from an Original Drawing by Captn. Wallis. 46th Regt..

XI. Vaucluse Bay. Port Jackson. New South Wales / W. Preston Sculp. from an Original Drawing by Captn. Wallis. 46th Regt.. 

XII. A View of Dawes Battery and the Entrance of Sydney Cove. New South Wales / Engrav'd by W. Preston from an Original Drawing by Capt. Wallis. 46th Regt.. 

BACK FLYLEAVES (10 pages)
Six original, unsigned drawings by Joseph Lycett, and four original, unsigned drawings by James Wallis.  Laid down on flyleaves.

With minor variations, five of the six drawings by Lycett are for plates published in Wallis’ 'Australian views…' (1820) and 'An Historical account of the colony of New South Wales ...' (1821).

[1.] [A View of the Cove and Part of Sydney, New South Wales, taken from Dawe's Point, ca. 1818 / by Joseph Lycett] 
Watercolour
Inscribed lower centre in ink `Drawn by a Convict.’
Untitled original drawing for Plate 1 of Wallis’ 'An Historical account of the colony of New South Wales … (1821)

[2.] [Vaucluse Bay, Port Jackson, New South Wales, ca. 1818 / by Joseph Lycett] 
Watercolour 
Inscribed lower centre in ink `Drawn by a Convict.’
Untitled original drawing for Plate 11 of Wallis’ 'An Historical account of the colony of New South Wales …' (1821)

[3.] [View of Sydney, looking towards old Barrack Square, ca. 1818 / by Joseph Lycett]
Watercolour
Inscribed lower centre in ink `Drawn by a Convict.’
This view was not published in Wallis’ 'Australian Views…' (1820), or 'An Historical account of the colony of New South Wales…' (1821).

[4.] [View of Awabakal Aboriginal people, ca. 1818 / by James Wallis] 
Watercolour and collage
Shows four cut out drawings of five seated Aboriginal people, including a man and a woman; a man wearing a British military jacket; a woman; and another man, against a coastal background.

[5.] [North and South Head's in Port Jackson, New South Wales, ca. 1818 / by Joseph Lycett] 
Watercolour
Untitled original drawing for Plate 10 of Wallis’ 'An Historical account of the colony of New South Wales…' (1821).

[6.] [View of Awabakal Aboriginal people, ca. 1818 / by James Wallis] 
Watercolour and collage
Shows six cut out drawings of seven seated or standing Aboriginal people.

[7.] [Sydney from Darlinghurst, ca. 1818 / by Joseph Lycett] 
Watercolour
Inscribed lower centre in ink `Drawn by a Convict.’
This view was not published in Wallis’ 'Australian Views…' (1820), or 'An Historical account of the colony of New South Wales…' (1821).
 
[8.] [View of Awabakal Aboriginal people, with beach and river inlet, and distant Aboriginal group in background, ca. 1818 / by James Wallis] 
Watercolour and collage
Shows two cut out drawings of five seated Aboriginal people (foreground).

[9.] [View of Dawe's Battery at the Entrance of Sydney Cove, New South Wales, ca. 1818 / by Joseph Lycett] 
Watercolour
Inscribed lower centre in ink `Drawn by a Convict.’
Untitled original drawing for Plate 12 of Wallis’ 'An Historical account of the colony of New South Wales…' (1821)

[10.] [View of a river landscape with five cut out pasted down drawings of five standing Aborigines, ca. 1818 / by James Wallis] 
Watercolour and collage
Each is named below portrait from left to right 'Burigon or Jack'; 'Nerang Doll'; 'Trimmer in Warriors full Dress'; 'Walker'; and 'Nerang Wogec Playing on Shield'. 
Inscribed below drawing in ink: `These figures of the Natives are all drawn by Major Wallis 46th Regt.' and 'These Natives all sat for their Pictures’.

BACK COVER
One hand-coloured engraving, laid down, of Vaucluse Bay.
From Wallis’ ‘Australian Views...' (1820) and 'An Historical Account of the colony of New South Wales...’ (1821)

Album of original drawings by Captain James Wallis and Joseph Lycett, ca 1817-1818 bound with An Historical account of the Colony of New South Wales ..., published London, Rudolph Ackermann, 1821.

Album of original drawings by Captain James Wallis and Joseph Lycett, ca. 1817-1818, bound with 'An Historical account of the Colony of New South Wales ...', published London, Rudolph Ackermann, 1821

Sub-series 1: Angus & Robertson book reviews in bound volumes, 1894-1970

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The Reformation / Owen Chadwick.

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The Reformation / Owen Chadwick.

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Box 28: Subject and place file, Loddon Falls to May, ca. 1720 to 1959

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Album of original drawings by Captain James Wallis and Joseph Lycett, ca. 1817-1818, bound with 'An Historical account of the Colony of New South Wales ...', published London, Rudolph Ackermann, 1821

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Sub-series 1: Angus & Robertson book reviews in bound volumes, 1894-1970

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The Reformation / Owen Chadwick.

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The Reformation / Owen Chadwick.

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Box 28: Subject and place file, Loddon Falls to May, ca. 1720 to 1959

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Album of original drawings by Captain James Wallis and Joseph Lycett, ca. 1817-1818, bound with 'An Historical account of the Colony of New South Wales ...', published London, Rudolph Ackermann, 1821

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Sub-series 1: Angus & Robertson book reviews in bound volumes, 1894-1970

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