A theory of the Tache in nineteenth-century painting / Øystein Sjåstad.
A theory of the Tache in nineteenth-century painting / Øystein Sjåstad.
A theory of the Tache in nineteenth-century painting / Øystein Sjåstad.
About this item
Full title
Author / Creator
Publisher
Farnham, Surrey ; Burlington, VT : Ashgate, [2014]
Call Numbers
G 2014/4964
Record Identifier
MMS ID
Language
English
Formats
Physical Description
Physical content
x, 179 pages ; 24 cm.
Content type
text
Media type
unmediated
Carrier type
volume
Contents
Introduction. To Overlook or to Over-look -- The Tache as a Sign Between Perception and Imagination -- A Theory of Sign Crossings -- The Tache Before Manet -- Manet's Tache. An Art of Inconsistency -- Cézanne's Field of Taches. Between Touch and Vision -- Seurat's Point and Signac's 'Not-Dot' -- Ma...
Publication information
Publisher
Farnham, Surrey ; Burlington, VT : Ashgate, [2014]
Place of Publication
England
Date Published
[2014]
Subjects
More information
Scope and Contents
Summary
Without question, the tache (blot, patch, stain) is a central and recurring motif in nineteenth-century modernist painting. Manet's and the Impressionists' rejection of academic finish produced a surface where the strokes of paint were presented directly, as patches or blots, then indirectly as legible signs. Cézanne, Seurat, and Signac painted ex...
Alternative Titles
Full title
A theory of the Tache in nineteenth-century painting / Øystein Sjåstad.
Authors, Artists and Contributors
Author / Creator
Notes
General note
Studies in art historiography.
Includes bibliographical references and index.
Identifiers
Primary Identifiers
Call Numbers
G 2014/4964
Record Identifier
74VKJdx6kzab
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/74VKJdx6kzab
Other Identifiers
ISBN
1472429443 (hardcover : alk. paper)
9781472429445 (hardcover : alk. paper)
DDC
750.18
MMS ID
991022088199702626
