Pop art and the origins of post-modernism / Sylvia Harrison.
Pop art and the origins of post-modernism / Sylvia Harrison.
About this item
Full title
Author / Creator
Publisher
Cambridge, U.K. ; New York : Cambridge University Press, 2001.
Date
2001.
Call Numbers
G 2013/1948
Record Identifier
MMS ID
Language
English
Formats
Physical Description
Physical content
vii, 280 p. ; 24 cm.
Contents
1. Post-modernist assumptions -- 2. Lawrence Alloway: pop art and the "pop art-fine art continuum" -- 3. Harold Rosenberg: pop art and the "de-definition" of both art and "self" -- 4. Leo Steinberg: pop, "post-modernist" painting, and the flatbed picture plane -- 5. Barbara Rose: pop, pragmatism and...
Publication information
Publisher
Cambridge, U.K. ; New York : Cambridge University Press, 2001.
Place of Publication
England
Date Published
2001.
Subjects
More information
Scope and Contents
Summary
"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical...
Alternative Titles
Full title
Pop art and the origins of post-modernism / Sylvia Harrison.
Authors, Artists and Contributors
Author / Creator
Notes
General note
Includes bibliographical references (p. 223-273) and index.
State Reference Library copy at G 2013/1948: transferred from N709.73/38.
Additional physical form availability note
Also available online via the World Wide Web, by subscription to EBL (Ebook Library).
Identifiers
Primary Identifiers
Call Numbers
G 2013/1948
Record Identifier
74VvQ6d2EZEb
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/74VvQ6d2EZEb
Other Identifiers
ISBN
0511046766 (electronic bk.) :
9780521791151
0521791154
9780511046766 (electronic bk.) :
DDC
709.04071
MMS ID
991014441659702626
