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“Breughelland”: Subverting the Antinomy of Utopia and Dystopia

“Breughelland”: Subverting the Antinomy of Utopia and Dystopia

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_crossref_primary_10_1556_6_2023_00001

“Breughelland”: Subverting the Antinomy of Utopia and Dystopia

About this item

Full title

“Breughelland”: Subverting the Antinomy of Utopia and Dystopia

Author / Creator

Publisher

Budapest: Akademiai Kiado Zrt

Journal title

Studia musicologica, 2024-02, Vol.64 (1-2), p.33-41

Language

English

Formats

Publication information

Publisher

Budapest: Akademiai Kiado Zrt

More information

Scope and Contents

Contents

Is György Ligeti's
Le Grand Macabre
(1974–1977/1996) a dystopian work, or rather one of utopia? Traditionally, dystopia and utopia have formed an alternative. Yet Ligeti and librettist Michael Meschke enact an intertwinement of dystopia and utopia, in a series of moves and countermoves: (1) Death threatens to eliminate all life. (2) The earth...

Alternative Titles

Full title

“Breughelland”: Subverting the Antinomy of Utopia and Dystopia

Authors, Artists and Contributors

Author / Creator

Identifiers

Primary Identifiers

Record Identifier

TN_cdi_crossref_primary_10_1556_6_2023_00001

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_crossref_primary_10_1556_6_2023_00001

Other Identifiers

ISSN

1788-6244

E-ISSN

1789-2422

DOI

10.1556/6.2023.00001

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