Poets as Modern Art Critics: Stating the "Redemptive Power" of the Abstracted Image
Poets as Modern Art Critics: Stating the "Redemptive Power" of the Abstracted Image
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Rocky Mountain Modern Language Association
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English
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Rocky Mountain Modern Language Association
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Contents
By the early nineteenth century, artists began replacing the concrete, traditional religious images of faith with abstracted images that emphasized their compositional elements, specifically color and shape. Soon, art was becoming a quasi-religion composed of these secular symbols of color and shape, and poetart critics as the modern "priests" to d...
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Poets as Modern Art Critics: Stating the "Redemptive Power" of the Abstracted Image
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TN_cdi_jstor_primary_1566627
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https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_jstor_primary_1566627
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ISSN
0361-1299