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晚唐陳拙《琴籍》的整理方法與結構內涵 / Textural Strategy as Meaning: Chen Zhuo's Ninth-Century Qin Music Treatise

晚唐陳拙《琴籍》的整理方法與結構內涵 / Textural Strategy as Meaning: Chen Zhuo's Ninth-Century Qin Music Treatise

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_jstor_primary_44009421

晚唐陳拙《琴籍》的整理方法與結構內涵 / Textural Strategy as Meaning: Chen Zhuo's Ninth-Century Qin Music Treatise

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Full title

晚唐陳拙《琴籍》的整理方法與結構內涵 / Textural Strategy as Meaning: Chen Zhuo's Ninth-Century Qin Music Treatise

Author / Creator

Publisher

School of Chinese, The University of Hong Kong and Center for Chinese Language and Cultural Studies, Stanford University, Chung Hwa Book Co., (HK) Ltd

Journal title

Journal of oriental studies (Hong Kong), 2016-01, Vol.48 (2), p.1-17

Language

Chinese

Formats

Publication information

Publisher

School of Chinese, The University of Hong Kong and Center for Chinese Language and Cultural Studies, Stanford University, Chung Hwa Book Co., (HK) Ltd

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Scope and Contents

Contents

保存在《永樂琴書集成》等書中的《琴籍》殘帙ー萬餘言, 是流傳至 今篇幅最長的唐代琴學論著。《琴籍》的作者是陳拙, 大約成書於晚唐懿宗、 僖宗、昭宗之際。流傳至今的《琴籍》遺篇, 從內容上看, 全係原書的琴論部 分。最近刊行的《唐代陳拙論古琴指法》是今人第一次嘗試對《琴籍》進行全面 的重編。這次重編基於整理者姚丙炎先生對現存陳拙琴論的假設和推論, 更 易原文次序達十六次之多。這種大刀闊斧地割截改移, 埋沒了原文固有的結 構。今天我們再一次整理陳拙的著作, 就應盡可能避免改變原文標題、次序, 嘗試采用文獻學的方法, 更加審慎地處理《琴籍》的殘編。經過重新整理, 我 們發現《琴籍》遺篇中題為〈唐陳拙指法〉的一萬言包含由 “聲” 、“指” 、“韻” 為經, “訣” 、“法” 、“用”, 為緯, 交織...

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Full title

晚唐陳拙《琴籍》的整理方法與結構內涵 / Textural Strategy as Meaning: Chen Zhuo's Ninth-Century Qin Music Treatise

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Record Identifier

TN_cdi_jstor_primary_44009421

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_jstor_primary_44009421

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ISSN

0022-331X

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