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Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia

Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_jstor_primary_44164002

Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia

About this item

Full title

Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia

Author / Creator

Publisher

Abingdon: Routledge

Journal title

Ethnomusicology forum, 2015-01, Vol.24 (1), p.28-50

Language

English

Formats

Publication information

Publisher

Abingdon: Routledge

More information

Scope and Contents

Contents

This article strives to broaden existing approaches in music scholarship, which, despite a long history of thinking about the role of music in shaping labour, have resulted in only sporadic attention to music labour itself. Drawing on Michael Hardt's and Antonio Negri's notions of affective labour as work intended to produce or modify peoples' emot...

Alternative Titles

Full title

Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia

Authors, Artists and Contributors

Author / Creator

Identifiers

Primary Identifiers

Record Identifier

TN_cdi_jstor_primary_44164002

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_jstor_primary_44164002

Other Identifiers

ISSN

1741-1912

E-ISSN

1741-1920

DOI

10.1080/17411912.2015.1009479

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