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Parody and Provocation: "Parade" and the Dada Psyche

Parody and Provocation: "Parade" and the Dada Psyche

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_1308680922

Parody and Provocation: "Parade" and the Dada Psyche

About this item

Full title

Parody and Provocation: "Parade" and the Dada Psyche

Author / Creator

Publisher

New York, N.Y: Research Center for Music Iconography of the City University of New York Graduate School

Journal title

RIdIM-RCMI newsletter, 1996-04, Vol.21 (1), p.29-35

Language

Formats

Publication information

Publisher

New York, N.Y: Research Center for Music Iconography of the City University of New York Graduate School

More information

Scope and Contents

Contents

Satie's Parade embodies to a considerable degree the aims, outlook, and technical devices that have shaped avant-garde thinking in this century, especially the notion of concept art. Fundamental characteristics that define dadaism are brought into relation with the parodistic and provocative stance of «Parade». Analyses of the technical elements of...

Alternative Titles

Full title

Parody and Provocation: "Parade" and the Dada Psyche

Authors, Artists and Contributors

Author / Creator

Identifiers

Primary Identifiers

Record Identifier

TN_cdi_proquest_journals_1308680922

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_1308680922

Other Identifiers

ISSN

0360-8727,1522-7464

E-ISSN

2169-8317,2169-9488

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