Representations of Paradise in Seventeenth-Century Italian Art
Representations of Paradise in Seventeenth-Century Italian Art
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Publisher
New York, N.Y: Research Center for Music Iconography of the City University of New York Graduate School
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Language
English
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Publisher
New York, N.Y: Research Center for Music Iconography of the City University of New York Graduate School
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Scope and Contents
Contents
The Counter-Reformation strongly influenced religious art, especially representations of paradise. Italian painters of paradise followed either a relatively classical taste or a fully Baroque sensualist style. The assumption of the virgin (1626-29) by Pier Antonio Bernabei (della Casa) at the Chiesa di Santa Maria del Quartiere, Parma, falls under...
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Full title
Representations of Paradise in Seventeenth-Century Italian Art
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Record Identifier
TN_cdi_proquest_journals_1308683424
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_1308683424
Other Identifiers
ISSN
0360-8727,1522-7464
E-ISSN
2169-8317,2169-9488
