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Be-hold: Touch, Temporality, and the Cinematic Thumbnail Image

Be-hold: Touch, Temporality, and the Cinematic Thumbnail Image

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_1547801283

Be-hold: Touch, Temporality, and the Cinematic Thumbnail Image

About this item

Full title

Be-hold: Touch, Temporality, and the Cinematic Thumbnail Image

Author / Creator

Publisher

Detroit: Wayne State University Press

Journal title

Discourse (Berkeley, Calif.), 2013-06, Vol.35 (2), p.194-211

Language

English

Formats

Publication information

Publisher

Detroit: Wayne State University Press

More information

Scope and Contents

Contents

Examples I have in mind include shots of Roger O. Thornhill examining photographic "evidence" of his nonexistent alter ego in Alfred Hitchcock's North by Northwest (1959), a white male scientist holding a photograph of a claw belonging to the decidedly nonhuman creature from the Black Lagoon in Jack Arnold's Creature from the Black Lagoon (1954), a...

Alternative Titles

Full title

Be-hold: Touch, Temporality, and the Cinematic Thumbnail Image

Authors, Artists and Contributors

Author / Creator

Identifiers

Primary Identifiers

Record Identifier

TN_cdi_proquest_journals_1547801283

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_1547801283

Other Identifiers

ISSN

1522-5321

E-ISSN

1536-1810

DOI

10.13110/discourse.35.2.0194

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