Bakhtinian Polyphony in Godard's "King Lear"
Bakhtinian Polyphony in Godard's "King Lear"
About this item
Full title
Author / Creator
Publisher
Winnipeg: University of Manitoba
Journal title
Language
English
Formats
Publication information
Publisher
Winnipeg: University of Manitoba
Subjects
More information
Scope and Contents
Contents
Mikhail Bakhtin's socio-linguistic theories can illuminate the orchestration of Jean-Luc Godard's contentious film King Lear. Shaping the polyphonic voices of Brecht, Kott, Beckett, Mailer, Welles, Allen, Kozintsev, and Woolf through counterpoint, the auteur refracts an elusive self-portrait and dialogically re-accentuates Shakespeare's tragedy.
Alternative Titles
Full title
Bakhtinian Polyphony in Godard's "King Lear"
Authors, Artists and Contributors
Author / Creator
Identifiers
Primary Identifiers
Record Identifier
TN_cdi_proquest_journals_1816791175
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_1816791175
Other Identifiers
ISSN
0027-1276,1925-5683
E-ISSN
1925-5683
DOI
10.1353/mos.2016.a630350
