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The Sculptural Poetics of Euripides' Ion: Reflections of Art, Myth, and Cult from the Parthenon to t...

The Sculptural Poetics of Euripides' Ion: Reflections of Art, Myth, and Cult from the Parthenon to t...

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_2321837290

The Sculptural Poetics of Euripides' Ion: Reflections of Art, Myth, and Cult from the Parthenon to the Attic Stage

About this item

Full title

The Sculptural Poetics of Euripides' Ion: Reflections of Art, Myth, and Cult from the Parthenon to the Attic Stage

Author / Creator

Publisher

Princeton: American School of Classical Studies at Athens

Journal title

Hesperia, 2019-10, Vol.88 (4), p.727-762

Language

English

Formats

Publication information

Publisher

Princeton: American School of Classical Studies at Athens

More information

Scope and Contents

Contents

Ion, as the son of Apollo, was an object of myth and cult before Euripides
composed the Ion in the late 5th century B.C. This article
offers an expanded analysis of the play's associations with religious traditions
and art, arguing that its original performance cultivated a Pheidian aesthetic
that made progressive allusions to sculpture...

Alternative Titles

Full title

The Sculptural Poetics of Euripides' Ion: Reflections of Art, Myth, and Cult from the Parthenon to the Attic Stage

Authors, Artists and Contributors

Author / Creator

Identifiers

Primary Identifiers

Record Identifier

TN_cdi_proquest_journals_2321837290

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_2321837290

Other Identifiers

ISSN

0018-098X

E-ISSN

1553-5622

DOI

10.2972/hesperia.88.4.0727

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