Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel
Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel
About this item
Full title
Author / Creator
Publisher
Chicago: Society for Music Theory
Journal title
Language
English
Formats
Publication information
Publisher
Chicago: Society for Music Theory
Subjects
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Scope and Contents
Contents
Repetition in the music of pianist/composer Craig Taborn engenders diverse temporal experiences at both local and global scales. At the local level, distinctive repetitions that I term
flexible ostinati
share significant features with the cyclic materials often observed in groove-based musics: they comprise a repetitive, omnipresent stream wi...
Alternative Titles
Full title
Flexible Ostinati, Groove, and Formal Process in Craig Taborn’s Avenging Angel
Authors, Artists and Contributors
Author / Creator
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Primary Identifiers
Record Identifier
TN_cdi_proquest_journals_2555633713
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_2555633713
Other Identifiers
ISSN
1067-3040
E-ISSN
1067-3040
DOI
10.30535/mto.27.2.6
