Paintings, Painters, and Patrons: Institutional Interventions in the Lives of Cheriyal Paintings
Paintings, Painters, and Patrons: Institutional Interventions in the Lives of Cheriyal Paintings
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Nagoya: Nanzan University
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Language
English
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Nagoya: Nanzan University
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In the early 1980s, the All-India Handicraft Board developed an interest in Cheriyal paintings as part of its initiatives to sustain Indian handicrafts. The Board's intervention increased the paintings' visibility and initiated the institutionalization of the Cheriyal painting tradition. In this process, painters adapted their practice to new forms...
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Paintings, Painters, and Patrons: Institutional Interventions in the Lives of Cheriyal Paintings
Authors, Artists and Contributors
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TN_cdi_proquest_journals_2691519547
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https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_2691519547
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1882-6865