Willaert’s Elusive Counterpoint Explained
Willaert’s Elusive Counterpoint Explained
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Publisher
Chicago: Society for Music Theory
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Language
English
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Publisher
Chicago: Society for Music Theory
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Contents
Willaert’s contrapuntal idiom in
Musica Nova
(1559) has been characterized as “elusive” because it “largely eschews imitative textures, clear cadential articulations, distinctive rhythmic patterns and tuneful melodic ideas (
soggetti
)” (Fromson 2001). The present study aims to elucidate Willaert’s contrapuntal techniques in a late madr...
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Full title
Willaert’s Elusive Counterpoint Explained
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TN_cdi_proquest_journals_2760075323
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_journals_2760075323
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ISSN
1067-3040
E-ISSN
1067-3040
DOI
10.30535/mto.28.4.7
