World Cinema versus Subjectivity: How to Read Tunde Kelani’s Abeni
World Cinema versus Subjectivity: How to Read Tunde Kelani’s Abeni
About this item
Full title
Author / Creator
Publisher
Indiana University Press
Journal title
Language
English
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Publication information
Publisher
Indiana University Press
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Scope and Contents
Contents
In Nigerian Video Films (2000), Jonathan Haynes delineated the ways in which Nollywood called for new critical approaches that would differ from the ways in which African film had been mediated to European or American audiences. Nollywood decidedly did not lend itself to the familiar ideological readings that had marked African film criticism from...
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Full title
World Cinema versus Subjectivity: How to Read Tunde Kelani’s Abeni
Authors, Artists and Contributors
Author / Creator
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Record Identifier
TN_cdi_proquest_miscellaneous_1617178524
Permalink
https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_miscellaneous_1617178524
Other Identifiers
ISSN
1536-3155
E-ISSN
1947-4237
DOI
10.2979/blackcamera.5.2.151
