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AND THE BANNED PLAYED ON LONDON'S `ENTARTETE MUSIK' RECORDINGS ARE REVIVING WORKS THE NAZIS LOVED TO...

AND THE BANNED PLAYED ON LONDON'S `ENTARTETE MUSIK' RECORDINGS ARE REVIVING WORKS THE NAZIS LOVED TO...

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_newspapers_418467403

AND THE BANNED PLAYED ON LONDON'S `ENTARTETE MUSIK' RECORDINGS ARE REVIVING WORKS THE NAZIS LOVED TO HATE: CHICAGOLAND FINAL Edition

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Full title

AND THE BANNED PLAYED ON LONDON'S `ENTARTETE MUSIK' RECORDINGS ARE REVIVING WORKS THE NAZIS LOVED TO HATE: CHICAGOLAND FINAL Edition

Publisher

Chicago, Ill: Tribune Publishing Company, LLC

Journal title

Chicago tribune (1963), 1997-10-26

Language

English

Publication information

Publisher

Chicago, Ill: Tribune Publishing Company, LLC

Subjects

Subjects and topics

More information

Scope and Contents

Contents

From 1933 onward, German music was largely destroyed. Only Richard Strauss, Carl Orff and Hans Pfitzner -- dutiful toadies to their Nazi masters -- remained. Some 300 other composers, Jews and non-Jews alike, had their music banned. Some creative figures, including Paul Hindemith, Kurt Weill, Berthold Goldschmidt and Ernst Krenek, found new, often...

Alternative Titles

Full title

AND THE BANNED PLAYED ON LONDON'S `ENTARTETE MUSIK' RECORDINGS ARE REVIVING WORKS THE NAZIS LOVED TO HATE: CHICAGOLAND FINAL Edition

Authors, Artists and Contributors

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Primary Identifiers

Record Identifier

TN_cdi_proquest_newspapers_418467403

Permalink

https://devfeature-collection.sl.nsw.gov.au/record/TN_cdi_proquest_newspapers_418467403

Other Identifiers

ISSN

1085-6706

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