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1.	Mrs. Elizabeth Cook, 1830 / W. Henderson
“Possibly Capt. Cook’s wife” - verso
Photograph, black and white
2.	Elizabeth Cook (Mrs. James), undated / W. Henderson
Framed version of no. 1.
Copy of an oil painting of “Mrs Elizabeth Cook. Aged 81 years”
Negative held by photographer, B. Bird, no. 120-2
3.	Hugh Cook, undated
Photograph, black and white
4.	Captain James Cook, undated / Corne
“From a portrait by Michaele-Felice Corne (1752-1832) in the Peabody Museum, Salem, U.S.A.”
Clipping 
From “The Listener”, September 28, 1961
5.	Captain James Cook, undated / Dance
Photograph, black and white, of engraving by Formentin after Dance
E.A. Bradford, commercial photographer, Sydney
6.	Captain James Cook, undated / Dance
Photograph, black and white, of engraving by Maurin after Dance
E.A. Bradford, commercial photographer, Sydney
7.	Captain James Cook, undated / Dance
Photograph, sepia toned, of engraving by Hall after Dance
8.	Captain James Cook, undated / Dance
Photograph, black and white, of engraving by Holl after Dance
E.A. Bradford, commercial photographer, Sydney
9.	Captain James Cook, undated / Dance
Photograph, black and white, of engraving by Pigeot after Dance
E.A. Bradford, commercial photographer, Sydney
10.	Captain James Cook, undated / Dance
Original after Dance by unknown artist
Photograph, black and white
Government Printer, Sydney 
11.	Captain James Cook, undated / Dance
Original after Dance by Cotes
Photograph, black and white
Government Printer, Sydney 
Original by Cotes in ML 122
12.	Captain James Cook, undated / Dance
Original after Dance by Cotes, Francis
Photograph, black and white
From original in ML no. 122
13.	Captain James Cook, undated / Dance
Photograph, black and white
National Maritime Museum, photograph no. A9105
14.	Captain James Cook, undated
Photograph, sepia toned of engraving by Horsburgh after Dance
3 illustrated clippings on reverse:  
1. The landing place of Captain Cook at Botany Bay 
2. Entrance to Port Jackson, New South Wales 
3. New Zealanders, Captain Cook , Sir Joseph Banks
15.	Captain James Cook, undated / Hodges
 “I have carefully examined the portrait (which has been attributed to William Hodges) shown in this photograph, and have no hesitation in saying that it is a portrait of the famous circumnavigator, Captain Cook, and seems to be practically contemporaneous with his voyages to the South Seas”, signed Charles Holmes
Photograph of a portrait (oil on canvas)
16.	Captain James Cook, undated / Hodges
Photograph, black and white, taken February 1957 / by Government Printer, Sydney
Photograph of same portrait as for no. 15 but picture frame not included
Original in Dixson Gallery DG 213
17.	Captain James Cook, undated / painted by Thomas Hudson 1701-1779
Print, black and white
18.	Captain James Cook, 1790 / Le Vieux
Marble bust by Le Vieux, 1790
19.	Captain James Cook, undated / Noble
Photograph, black and white
20.	Captain James Cook, undated / Pingo
Photograph of engraving by T. Cook after Pingo
21.	Captain James Cook, undated / Pingo
Photograph of engraving by Sasso after Pingo
E.A. Bradford, commercial photographer, Sydney
22.	Captain James Cook, undated / Romney
“Portrait said to be of Cook by Romney, offered Sotheby’s, 12 Jan., 1966”
Photograph, black and white
23.	Captain James Cook, undated / unknown
“Inscription painted on the back of Portrait: “This portrait of Jas. Cook – marine surveyor was painted at Newfoundland for Captain Groves Also Governor in the year 1766”” - verso
Photograph, black and white, of an original in the National Portrait Gallery
24.	Captain James Cook, undated / unknown
Original in National Portrait Gallery. 
Smaller version of no. 23
Photograph, black and white.
25.	Captain James Cook, undated / Webber
Photograph, black and white, of a portrait
E.A. Bradford, commercial photographer, Sydney
26.	Captain James Cook, undated / Webber
See Cook Bibl., 1928 edition, p. 125
“Possessor: National Art Gallery, Wellington 1960” – verso
Print, black and white
27.	Captain James Cook, undated / painting by John Webber, R.A.
1 photograph, black and white
28.	Captain James Cook – Monuments – France
Pajou memorial. Parc du Mereville, France
Print, sepia toned
29.	Captain James Cook – Statues – Whitby / Chadwick Studio
Captain Cook’s statue, Whitby
Post card, black and white
30.	Joseph Cook, 1898
[Electorate of] Hartley
“N.S.W. Legislative Assembly 1898”
Clipping
31.	Sir Joseph Cook, 1920
Clipping
From “Mail” 28 January 1920
32.	Sir Joseph Cook, 1930
Photograph, sepia toned
From Commonwealth Parliamentary Handbook 1930
33.	Samuel Cook, undated
“S.M. Herald” – verso, but image is not a newspaper clipping
Photograph on board
34.	W.M. Cook, undated
Clipping
35.	Joseph Cooke, undated / J. Hubert Newman, Sydney
Photograph, sepia toned
36.	E.G. Coombes, undated
Photograph, sepia toned
37.	A.W. Cooper, undated
Engraving?
Signed “A.W. Cooper R.N.?”
38.	Sir Daniel Cooper, 1882 / Vincent Brooks, Day & Son Lith.
1 page of notes and 1 print, coloured
Clipping
From “Vanity Fair”, 21 January 1882
39.	Sir Daniel Cooper, died 1902 / E.T., Walter Mason
“The Hon. Daniel Cooper, Speaker of the Legislative Assembly of New South Wales”
Engraving
40.	Margaret Cooper, 1912
Photograph, sepia toned
41.	Sir Pope A. Cooper, 1914 / Poul C. Poulsen, Brisbane
“Sir Pope Alexander Cooper, Chief Justice of Queensland, 1914” – verso
Photograph, sepia toned, on board
42.	T. Cooper, undated
Clipping
43.	T. Cope, undated
Clipping
44.	Henry Copeland, undated
[Electorate of] Sydney-Phillip Division
Clipping
45.	Henry Copeland, undated / J. Hubert Newman, Sydney
Photograph, sepia toned
46.	George Coppin, undated
“Taken shortly before he died”
Photograph, sepia toned
47.	George Copping, undated
“The Hon. G. Coppin, M.L.C., Melbourne” - verso
Photograph, black and white, on board
48.	George Coppin, undated / E.C. Waddington & Co., Melbourne, photograph no. 1
Photograph, sepia toned, on board
49.	George Coppin, undated / E.C. Waddington & Co., Melbourne, photograph no. 2
Photograph, sepia toned, on board
50.	Cordeax?, undated
“Cordeak [Cordeax?]” - verso
Photograph, black and white
Negative available in Freeman collection, ON 6, no. 61067
51.	Lewis Cornaro, undated / C. Lebas, Birm(ingham?)
“At the age of 100 years”
Published for G.A. Williams Librarian, Cheltenham
Engraving
52.	Ned Corrigan, undated
“A steeplechaser”
Clipping with full page colour print
From “Life”, no. 228
53.	Hernan Cortes, undated
2 copies of same engraving side by side
54.	Cortesi, undated / photographer A. McDonald, Melbourne
Photograph, carte de visite, sepia toned
55.	Mrs. Coster, 1934
“The grand old lady of Victoria” – “Only living daughter of the four Henty brothers, who may rightly be called the founders of Victoria and whose pioneer settlement at Portland in 1834 is the significant event we are now celebrating”
Clipping
From “Table Talk”, 15 November 1934
56.	Dorothy Cottrell, undated
Portrait of Cottrell and copy of the cover of her book “The silent reefs”
2 clippings
57.	James Courage, undated
Clipping
58.	Bishop Frederick Courtney, 1900 / J. Hubert Newman, Sydney
“Bishop of Nova Scotia, visited Sydney 1900 for A.B.M. Jubilee” – verso
Photograph, sepia toned
59.	F.H. Coventry, 1970 / Sir William Dobell
Photograph of a sketch
Clipping
60.	Noel Coward, undated
“A picture of Noel Coward taken when in New York in the early years of the last war”
Clipping
61.	Charles Cowper, undated
Copy of a photograph, sepia toned
62.	Clara Cowper, October 1889 / from a photograph specially taken for the theatre by Messrs. Charlemont & Co., Sydney & Melbourne
Photograph, sepia toned
63.	Dean William Macquarie Cowper, undated / J. Hubert Newman, Sydney
Photograph, sepia toned
64.	Lady Fanny Cowper, undated / A.E. Chalon?
Engraving
Heavily foxed
65.	Archdeacon William Cowper, undated / M. Claxton, Geo. B. Shaw
Signed “Yours faithfully William Cowper”
Engraving
Negative at FM2 / 1347
66.	Archdeacon William Cowper, undated
The Venerable Cowper, D.D., Archdeacon of Cumberland
“First Minister of St. Philip’s. He was selected in England by Revd Samuel Marsden to be Assistant Chaplain in the Colony, and arrived by the “indispensable” 18th August 1809. He was the beloved Pastor of the parish for 49 years. He died 6th July 1858, aged 79 years. He was the father of Very Reverend William Macquarie Cowper, Dean of Sydney”
Print, black and white
67.	A.W. Cox, undated / Alexander Bassano
Photograph, sepia toned
68.	George Cox, 1794 – 1868
George Cox of Winbourn Mulgoa, son of Lieut. William Cox … arrived N.S.W. 1800”
Copy, black and white, of photograph
69.	George Cox, undated
“Winbourn”
Copy, black and white, of a photograph?
70.	J.C. Cox, undated
Photograph, sepia toned, on board
71.	Dr. James Charles Cox, undated / J. Hubert Newman, Sydney
“Descendent of William Cox, was Senior Surgeon at Sydney Hospital. Born Mulgoa c. 1834, died 1912. Trustee of Aus. Museum, Medical Officer to A.M.P. Society, member of Aus. Club (information supplied by Gidley King)”
Photograph, sepia toned
72.	Dr. James Charles Cox, undated / J. Hubert Newman, Sydney
Photograph, sepia toned
73.	Veronica Cox, undated
“Playing the part of Betty Sydenham in “Young England””
Post card, sepia toned
74.	William Cox, undated
Clipping
“Aust. Men of Mark:, vol. 1, opp. p. 15”
B/W negative available at FM1 / 4120
75.	George Crabbe, 1827 / engraved by B. Holl
Engraving
Published by S. Robinson, Nov. 1, 1827
76.	Andrew H. Craig, undated
Photograph, black and white
Freeman negative 15626
Copy at NCY 11 : 371, Feb. 1932 
77.	Edith Crane, undated / Charles Barnett, Falk Studio, Melbourne
Edith Crane in “Trilby” – verso
Photograph, sepia toned
78.	Edith Crane, undated / The Falk Studios, Sydney & Melbourne
Edith Crane as “Trilby”
Photograph, sepia toned
79.	Edith Crane, undated / Talma, Melbourne
Miss Edith Crane as “Trilby”
Photograph, sepia toned
80.	Edith Crane, undated / Talma & Co., Sydney (but written on verso is “taken by Electric Light”)
“As “Tess” in Tess of the d’Urbervilles” – verso
Photograph, sepia toned
81.	Edith Crane, undated / The Swiss Studio, Melbourne
“In the Prologue of “Najesda”” – verso
Photograph, black and white
82.	Thomas Cranmer, D.D., 1833? / Holbein pinx., Dean, sculpt.
Archbishop of Canterbury
Engraving
Published by J.G. & F. Rivington, London, 1833?
83.	Dr. J.M. Creed, undated / Tesla Studio, Sydney
Photograph, black and white, on board
84.	Dr. J.M. Creed, 1885 / The Crown Studios, Sydney
“Hon. Dr. J.M. Creed” – verso
Photograph, sepia toned, on board
85.	Hon. W.P. Crick, undated
Postmaster General
Photograph, black and white, on board
86.	William P. Crick, undated / Freeman & Co.?, Sydney
Photograph, black and white
87.	William P. Crick, undated
[Electorate of] West Macquarie
Clipping
88.	Alice Guerin Crist, undated
Copy of a photograph, black and white
89.	F.J. Croaker, undated / Freeman & Co.
Copy of a photograph, sepia toned
90.	R.H. Croll, undated
Signed “R.H. Croll”
Copy, black and white, of a photograph
91.	Rev. William Pascoe Crook, undated
“Early missionary - came to Sydney 1830 (?)” - verso
Photograph, sepia toned
92.	William Crooke, M.D., undated
Photograph, black and white
93.	Marshall Crosby, undated
“Veteran actor of Australian theatre, radio, and films”
Clipping
94.	Mary Ann Cross (George Eliot), 1819 – 1880 / Frederick W. Burton
Clipping
From Sir Frederick W. Burton’s drawing (1865) in the National Portrait Gallery 
95.	Zora Cross, 1920 / Sidney Riley Studio, Sydney
Inscribed under picture: “To Beatrice from Zora with love”
Photograph, sepia toned
96.	Miss Ada Crossley, undated / 1903
2 portraits:
1 print, blue / The Kinothol Co., Sydney; J.A. Campbell & Co., Print(ers), Sydney
1 print, black and white / The Crown Studios, Sydney
97.	The Hon. F.T. Crowder, M.L.C. W.A., undated
Photograph, black and white
98.	Sir William Crowther, undated
Photograph, coloured
99.	George Cruikshank, 1883 /  F.W. Pailthorpe?, printed by W.&C. Yates
Signed by Cruikshank
Engraving
Published by J.F. Dexter, 1883
100.	W.J. Cudlipp, undated
General Manager of Morris Motors (N.S.W.) Ltd.
Copy of a photograph, black and white
101.	K. de L. Cudmore, undated / photograph by Falk Monte Luke
“Selling Broker’s Representative” – verso
“Mount discarded Commonwealth of Australia N.S.W. State Wool Committee 1916-1923. British Imperial War Wool Purchase Scheme” - verso
Photograph, sepia toned
102.	Frank Cullenham, undated
Post card, black and white
103.	Duchess of Cumberland, 1784 /R. Cosway; engraved by J.K. Sherwin, Engraver to his Majesty & his Royal highness Prince of Wales
Her Royal Highness the Duchess of Cumberland and Strathern
Engraving
Published Aug. 1st 1784 by J.K. Sherwin
104.	R. Cumberland, 1823 / R. Cooper sculpt.(or)
Engraving
Published by T. & J. Allman, 1823
105.	Allan Cunningham, undated / 1830
2 portraits:
1 engraving / Allan & Ferguson lith.
1 print, black and white, of a painting held in Commonwealth National Library, Canberra
106.	Curnow, undated / The Crown Studios
Photograph, black and white
107.	Mrs. Curnow, undated / J. Hubert Newman, Sydney
Photograph, sepia toned
108.	H.A.G. Curry, undated
“Under Secretary for Lands” – verso
Photograph, black and white, on board
109.	John Curtin, undated
Photograph, black and white
From “The Home”, February 1942
110.	Herbert Curtis, undated
Managing Director of Preston Motors
Clipping
111.	Ellen Dymphna Cusack, undated / Montgomery Dunn?
Photograph, sepia toned
112.	Hon. Henry Cuthbert, M.L.C., undated
Photograph, sepia toned
113.	Rev. W. Cuthberton, undated / engraved by J. Cochran from a photograph
Engraving
Heavily foxed
114.	Sir Roden Cutler, undated
Photograph, black and white
Published in “Australian”, 14 August 1976, p. 21
115.	Cuvier, undated
Engraved for the Naturalist’s Library
Signed G Cuvier
Engraving

Box 08: Portrait file, Cook to Cuvier, ca. 1784 to 1976

PXE 1247
245 photographic prints
Includes many undated portraits of Frank Browne including one by John Hearder, along with many undated family portraits, family pets and Frank Browne among dining parties at restaurants; many pictures of Australian Party rallies, some including Frank Browne addressing the audience, ca. 1955; many pictures on board the oil tanker 'Miller's Canopus'; stills from American movies of the 1920s and 1930s including, 'A Woman of Affairs', 'The Torrent', 'The Kiss', 'The Divine Women', 'A Painted Veil', 'Wild Orchids'; polaroid photographs of scenes in Hong Kong and Sydney Harbour; 36 photographs of allies in action in various theatres of conflict during World War II, including New Guinea and Syria. Most of the pictures have captions on their reverse side and were taken by the Commonwealth Department of Information - does include some World War II photographs taken by the United States Army; several pictures of cargo ships in Sydney Harbour; panorama of Bondi Beach, no date and 1 photograph of a baby, ca. 1890

3 drawings being 2 cartoons of Billy Hughes - 1 by L. F. Reynolds - and a casual sketch

1 postcard showing a male athlete, no date

ON 479
125 colour negatives featuring group portraits, pets, fishing scenes as well as some street scenes and coastal views

8 black and white negatives showing a woman departing on a train

Forms part of MLMSS 3345

Pictorial material from the Frank Browne papers, ca. 1890-1976

Mini-G proteins are the engineered GTPase domains of Gα subunits. They couple to GPCRs and recapitulate the increase in agonist affinity observed upon coupling of a native heterotrimeric G protein. Given the small size and stability of mini-G proteins, and their ease of expression and purification, they are ideal for biophysical studies of GPCRs in their fully active state. The first mini-G protein developed was mini-Gs. Here we extend the family of mini-G proteins to include mini-Golf, mini-Gi1, mini-Go1 and the chimeras mini-Gs/q and mini-Gs/i. The mini-G proteins were shown to couple to relevant GPCRs and to form stable complexes with purified receptors that could be purified by size exclusion chromatography. Agonist-bound GPCRs coupled to a mini-G protein showed higher thermal stability compared to the agonist-bound receptor alone. Fusion of GFP at the N-terminus of mini-G proteins allowed receptor coupling to be monitored by fluorescence-detection size exclusion chromatography (FSEC) and, in a separate assay, the affinity of mini-G protein binding to detergent-solubilised receptors was determined. This work provides the foundation for the development of any mini-G protein and, ultimately, for the structure determination of GPCRs in a fully active state.

PloS one, 2017-04, Vol.12 (4), p.e0175642-e0175642

Mini-G proteins: Novel tools for studying GPCRs in their active conformation

Many G protein-coupled receptors show constitutive activity, resulting in the production of a second messenger in the absence of an agonist; and naturally occurring constitutively active mutations in receptors have been implicated in diseases. To gain insight into mechanistic aspects of constitutive activity, we report here the 3.3 Å crystal structure of a constitutively active, agonist-bound neurotensin receptor (NTSR1) and molecular dynamics simulations of agonist-occupied and ligand-free receptor. Comparison with the structure of a NTSR1 variant that has little constitutive activity reveals uncoupling of the ligand-binding domain from conserved connector residues, that effect conformational changes during GPCR activation. Furthermore, molecular dynamics simulations show strong contacts between connector residue side chains and increased flexibility at the intracellular receptor face as features that coincide with robust signalling in cells. The loss of correlation between the binding pocket and conserved connector residues, combined with altered receptor dynamics, possibly explains the reduced neurotensin efficacy in the constitutively active NTSR1 and a facilitated initial engagement with G protein in the absence of agonist.

Scientific reports, 2016-12, Vol.6 (1), p.38564-38564, Article 38564

Structure and dynamics of a constitutively active neurotensin receptor

Many G protein-coupled receptors show constitutive activity, resulting in the production of a second messenger in the absence of an agonist; and naturally occurring constitutively active mutations in receptors have been implicated in diseases. To gain insight into mechanistic aspects of constitutive activity, we report here the 3.3 Å crystal structure of a constitutively active, agonist-bound neurotensin receptor (NTSR1) and molecular dynamics simulations of agonist-occupied and ligand-free receptor. Comparison with the structure of a NTSR1 variant that has little constitutive activity reveals uncoupling of the ligand-binding domain from conserved connector residues, that effect conformational changes during GPCR activation. Furthermore, molecular dynamics simulations show strong contacts between connector residue side chains and increased flexibility at the intracellular receptor face as features that coincide with robust signalling in cells. In conclusion, the loss of correlation between the binding pocket and conserved connector residues, combined with altered receptor dynamics, possibly explains the reduced neurotensin efficacy in the constitutively active NTSR1 and a facilitated initial engagement with G protein in the absence of agonist.

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Box 08: Portrait file, Cook to Cuvier, ca. 1784 to 1976

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Pictorial material from the Frank Browne papers, ca. 1890-1976

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Mini-G proteins: Novel tools for studying GPCRs in their active conformation

Export this record

Export record to excel

Structure and dynamics of a constitutively active neurotensin receptor

Export this record

Export record to excel

Structure and dynamics of a constitutively active neurotensin receptor

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